Paris Opera 2013-2014

After a couple of really bad years at the Paris Opera, a glimpse over the 2013-2014 makes you think: OK, it's less bad than before. Revivals are more often than not well done in Paris, so I won't say much except encourage everyone to go and see a wonderful production of La Clemenza di Tito with a wonderful Stéphanie d'Oustrac, and the superb Warlikowski production -- The Makropulos Affair.

I like Robert Carsen, but seriously... Out of 8 new production at the OdP, two of them [Elektra & Zauberflöte] are staged by Carsen, whose Capuleti and Alcina will be revived too!
Olivier Py too is supposed to come up with two new production [Alceste & Aida].

No younger directors, no contemporary opera, revivals of the embarrassingly bad Cosi and Italiana...

New Traviata by Benoît Jacquot will most probably be a tepid sellout  show [smt like the awful  ROH production by Eyre]... If we cannot be entirely enthused by the list of conductors, overall  --and modulo a few exceptions-- the lineup is good. I like the casts for the most part [YAY for Sonya Yoncheva and Jochen Schmeckenbecher!]. 

To stay positive, on the paper, it looks as if the operatic program at the ONP is improving.

see below...

Thank You Denmark

For Borgen, for The Hunt, for A Royal Affair, for Adam's Apples, for Kapringen, for the insuperable actor Mads Mikkelsen, or the phenomenal Pilou Asbaek and Sidse Babett Knudsen, for the immeasurably talented Thomas Vinterberg, for Lars von Trier (who sees the deepest corners of the human soul)...

Tak Danmark for saving film from the aggressive commercial mediocrity and socially/culturally damaging propaganda.  You're the island of hope!

On the same note --but independently from Denmark-- thank you Michael Haneke for Amour.

I'm halfway through Borgen S02 and it is enriching in more than one way. Excellent filming, acting, amazing intellectual content, decent depth of arguments, openness to the 21st century, and despite the main theme the fact that they resisted at every stage to dive into nationalism or cheap self-celebration is praise-worthy...  -- great great stuff: one of the best TV shows of this genre ever.  

Les Contes d'Hoffmann on La Rambla

The (re)new production of Les contes d'Hoffmann, directed by Laurent Pelly, is finishing its run tonight [Saturday, Febr 23rd 2013] at the Grand Teatre del Liceu in Barcelona and the brilliant Mezzo TV will be live broadcasting this last show to us.

Pelly proved to be particularly doué for staging the works by Offenbach so this may well be a treat for all opera aficionados. Merci Mezzo!

In addition to always excellent conductor, Stéphane Denève, the top-notch cast includes Michael Spyres, Laurent Naouri, Michèle Losier, Natalie Dessay, Kathleen Kim, Tatiana Pavlovskaya, Susana Cordón, Salomé Haller...

Calixto Bieito is a genius!

I'm watching the Munich production of Boris Godunov directed by Calixto Bieito --that I DVRed while I was at the theater attending the Martin Kusej show-- and it looks to me as a 'scary sequel' of his [Calixto's] take on Der Fliegende Holländer.
I'll probably throw in a few paragraphs about this gem when I finish watching it but as of now I just wanted to unleash one more time "Calixto Bieito is a freaking genius!"

He is a good man, humanist to the core, a man with a huge heart, with a big pair... , and with a subtle ear for every human state or emotion.




I am also glad the Bayerische Staatsoper (BSO) finally scores a big show.
The advantage of the BSO over the other big opera houses is that they're constantly trying to explore various theatrical styles, which means taking risks all the time. Unfortunately, several of their recent new productions fell flat, but this one grandly compensates for all those unhappy outcomes.  [I love the cast too!] I believe this is the first great BSO show since Mitridate [if I don't count The Ring]. So, congrats to BSO from their old fan!

Good Shows Alert

1. Mezzo TV will live broadcast the new production of Boris Godunov from Munich, tonight (Wed, Feb 20, 2013) starting from 19:00. The show is produced by Calixto Bieito (with Rebecca Ringst!) which should be a guarantee that the show will be a bright spot in the sea of mediocrity of what is currently produced in operahouses worldwide. The cast is good as ever (always high Bayerische Staatsoper standards), and his greatness Kent Nagano will be conducting. 




2.  The Perfect American, opera by Ph. Glass, was recently created at Teatro Real in Madrid [one of the top 3-4 Opera Houses in Europe today]. Christopher Purves --who we can never admire enough-- sings the role of Walt Disney and the rest of the cast is very good. Directed by Phelim Mc Dermott (to discover!), this opera to see was conducted by Dennis Russell Davies. Here are the links to Arte-LiveWeb and Medici-tv.




3. La Monnaie/De Munt --a.k.a. the best opera house in Europe  [although Berlin, Madrid, Dresden, Lyon, Zurich... boast terrific opera houses too]-- completed the run of their new production of Manon Lescaut which is now available for free viewing on this link [until March 3rd].  Opportunity to see a show produced by Mariusz Trelinski (one more Polish talent!)
   OK, Puccini is cheesy with too much pathos to take, but that mixture is diluted by a high quality of direction and the superb singing by Eva Maria Westbroek and Brandon Jovanovich. So do give it a go! 




4. Usually I would not encourage anyone with IQ>80 to go to cinema,  pay for one of very pricey seats just to see a broadcast --live from The Met-- of one of The Met's catastrophic recent productions (better go to a restaurant or donate to charity). A few exceptions happen, however, and those are usually the shows co-produced with Opéra de Lyon: The Nose, From the House of the Dead, and now Parsifal.  Although the cast is unlikely to match the brilliance of the show presented in Lyon, it should be brilliant too in its own way [btw, why do they push Kaufmann to sing Wagner?] and the François Girard production is truly great -- perhaps not the Castellucci kind of great, or the Herheim kind great, but great for totally different reasons. Daniele Gatti conducts! So, do try and go to your local theater and see this gem: live broadcast is scheduled for Sat, March 2nd at 18:00 (cet).

From the Calixto Bieito production of Boris Godunov presented at the Bayerische Staatsoper in Munich

Pour les parisiens: En ce moment --et pendant seulement quatre jours-- vous pouvez voir  Der Weibsteufel [Le diable fait femme] à l'Odéon Théâtre de l'Europe. C'est un spectacle mis en scène par Martin Kusej et la production vient du Residenztheater à Munich... A ne surtout pas louper!

Rigoletto aus Bayern

In a little more than an hour time (at 18:00 cet), the Bavarian State Opera will live stream their new production of Rigoletto, produced by Árpád Schilling (excellent theater director who makes his operatic debut with this production), always reliable Marco Armiliato and a superb cast including Franco Vassallo, Dmitry Ivashchenko, Joseph Calleja, Patricia Petibon and Nadia Krasteva.

Here is your link and the trailer plus a short film about the production is attached below.

La Traviata Bruxelloise

The World's best TV --Arte of course!-- will be live broadcasting the new production of La Traviata from the World's best opera house -- La Monnaie/DeMunt -- in a little more than an hour time [20:00 CET].

Andrea Breth, one of the most talented and most accomplished theater directors today, produced the show [I saw her recent Wozzeck and Lulu at the Staatsoper in Berlin (UdL) and loved them both immensely; I also saw (with some delay) her Kat'a Kabanova also staged in Brussels, that matched in quality the famous Christoph Marthaler production -- which should be by now in textbooks], Adam Fischer conducts the LaMonnaie orchestra, which will be a curiosity on its own [Fischer is huge in Mozart operas, and I can only guess the level of subtleties in conducting La Traviata],  and the cast looks exactly what you would expect from the incomparable Peter de Caluwe: the role of Violetta will be sung by a lesser known Simona Saturova, Alfredo by always passionate Sébastien Guèze, Giorgio by our top-fave Scott Hendricks, and the cast for smaller roles is quite delicately composed too.

So, after two horrid live streamed production from the Munich Opera and tragic productions from The Met [live broadcast in the cinemas all over the world, unfortunately], here is the second super-promising show from Brussels that gives us hope that opera is not dead art [unforgettable production of Lulu in October was also produced at LaMonnaie/DeMunt].

Arte Live Web video is embedded below. Enjoy ;)

Chinatown on Ice

Today, November 25 2012, at 19:00, the Munich BSO will live stream their recent production of Turandot, directed by La Fura dels Baus. The story was recounted intelligently giving this opera a breath of life, traditionalists hated it -- which means that it is probably worth watching.

Masters for the positively spectacular shows -- from Turandot by La Fura dels Baus

Even if synonymous for a mix of pompous and pathos, Turandot is nevertheless one of the least annoying operas by Puccini. Unfortunately it is far too often reduced to a parade of kitsch culminated by the Turandot's scream-fest [In questa reggia] to appreciate its musical qualities, despite a few well-known arias [Nessun dorma by Kalaf and Signore, ascolta!/Tu che di gel sei cinta by Liu].

A much-much better Turandot opera --in my opinion-- is the one by Ferruccio Busoni that we were privileged to see last year in Dijon, in a terrific production by Cisco Aznar and with terrific Sabine Hogrefe (Turandot) and Thomas Piffka (Kalaf). 

So for La Fura it might be good fun after all. Ah yes, if you did not listen to Yonghoon Lee singing before then you should definitely tune in tonight at 19:00 (CET) and watch the show on this link!

Dir- Carlus Padrisa (La Fura dels Baus), cnd- Marco Armiliato, Cast: Iréne Theorin, Yonghoon Lee, Serena Farnocchia, Alastair Miles, Markus Eiche...

Enjoy!

Trailer and an interview with Carlus Padrisa (who explains the main lines of his production) are attached below.

Parsifal anyone?!

New production of Parsifal was premiered a few days ago. Directed by Philip Stölzl the premiere was also a convenient way to celebrate 100 years of Deutsche Oper Berlin (DOB). This is the first premiere since the phenomenal Dietmar Schwarz became the general manager of DOB.

Today's Berliner Morgenpost dedicated a whole section to DOB, the premiere of Parsifal and the postpremiere party.

I'm off to see the second show. Too bad our fave T.H. Mayer won't be singing but the brilliant A. Marco-Buhrmester  will sing the role of Amfortas instead... Well AMB was Klingsor in Lyon last spring and now he steps in as Amfortas.
 Klaus Florian Vogt, Evelyn Herlitzius, Thomas Jesatko, Matti Salminen... it should be great. Plus it will be good to see if Runnicles will be as extraordinary as in Tristan or a little less great like in Die Walküre.


 

Night with Siegfried

Tonight, Tuesday October 23, starting from 19:00 (cet) Mezzo TV will live broadcast the Milan premiere of Siegfried, the third opera of the Guy Cassiers production of Der Ring des Nibelungen [this must be one of the finest Ring productions so far].

On case you cannot receive Mezzo TV, check out your local cinemas -- many will be broadcasting the premiere too.  Details about the cast can be found here [I'll just note that three top fave singers will be performing -- Anna Larsson, Nina Stemme and Johannes Martin Kränzle; plus Lance Ryan is always superb as Siegfried].

Photo from Guy Cassiers production of Siegfried [©Monika Rittershaus]

Unlike the previous two operas --that yours truly saw in Berlin and immensely enjoye-- this opera [Siegfried] was already premiered in Berlin before Milan [attached below is a clip from the Berlin premiere].

Superb Macbeth directed by van Hove; one more winner for Opéra de Lyon

Macbeth, Opéra National de Lyon, October 21 2012

Director ..... Ivo van Hove
Conductor ..... Kazushi Ono

Macbeth ..... Evez Abdulla
Banco ..... Riccardo Zanellato
Lady Macbeth ..... Iano Tamar
Suivante de Lady Macbeth ..... Kathleen Wilkinson
Macduff ..... Dmytro Popov
Malcolm ..... Viktor Antipenko

Orchestre et Chœurs de l'Opéra de Lyon

Ninanana Ninanana - Nina Stemme

Tristan und Isolde (in concert), Salle Pleyel in Paris, October 13 2012

Conductor ..... Mikko Franck

Tristan ..... Christian Franz

Isolde ..... Nina Stemme

King Marke ..... Peter Rose

Kurwenal ..... Detlef Roth

Brangäne ..... Sarah Connolly

Melot ..... Richard Berkeley-Steele

A young sailor ..... Pascal Bourgeois

A shepherd ..... Christophe Poncet

A steersman ...... Renaud Derrien

Choeur de Radio France (Brigitte Clair & Matthias Brauer)

Orchestre Philharmonique de Radio France (OPRF)

Lulu opened in Brussels: Warlikowski is a genius

Yes, I was at the premiere of Lulu in Brussels today-- one of the most outstanding productions created so far anywhere and by any theatrical standard.

It is IMPOSSIBLE to film this show properly because many things happen simultaneously on the stage and  details really matter...
The emotion that was created at the theater today was truly extraordinary and the show reminded us once again that "Theater is Life" -- that vortex of emotion was so remarkable and we all --who were actually there-- shared something truly unique today. Thank you to everyone who made this possible! 

If you can possibly make it and see this show in Brussels, at La Monnaie/De Munt, don't think twice! Just go! Barbara Hannigan delivers the performance of her life -- helped by a fantastic cast, and guided by a super-inspired Warlikowski --who channeled the 'Edgar Degas' side of him-- and his extraordinary team. Claude Bardouil made the finale of Act1 extra-fascinating. Paul Daniel and all the artists were just magnificent.   

Pavlo Hunka, Charles Workman, Krzysztof Warlikowski, Dietrich Henschel, Barbara Hannigan, Christian Longchamps, Malgorzata Szczesniak, Paul Daniel, Frances Bourne and the brilliant kids from the Koninklijke Ballet School in Antwerp

This is a whole different level of theatrical creativity that resonates so wonderfully with opera. I'll try and write a few paragraphs tomorrow (or Tuesday) although I feel that by trying to describe it I could ruin it [if that makes sense to you].

There are many reasons why La Monnaie/De Munt is the best opera house in the world today, and this new Lulu is about to become one of them [reasons].

Warlikowski event No.2 in 2012: Bruxelles, le centre du monde lyrique

After Boris Godunov in Madrid and Jenufa in Zurich, the third event in Europe this fall --that is not be missed-- is also expected to be among the top 3 in 2012 [although I don't believe that Poppea e Nerone could be beaten by anyone or anything - including Warlikowski himself] -- it is a new production of Lulu in Brussels.

The Warli team [Krzysztof Warlikowski, Malgorzata Szczesniak, Felice Ross, Denis Guéguin] is busy preparing the premiere and the cast looks excellent on the paper. Is it possible to resist one of the finest singers today (born to sing the 20th century repertoire!) -- Barbara Hannigan?! Her take on Lulu should be a blast!
Lothar Koenigs was supposed to conduct but due to an accident he had to pull out. Paul Daniel, whose Macbeth [also in Brussels] will remain one of my most memorable moments at the opera, will conduct instead.

As usual, all Warlikowski events should be seen in auditorium, rather than in video (it is a totally different experience), but if you cannot make it to Brussels mark November 8 in your calendar when you could see the video-stream of the show on La Monnaie/De Munt website. Video will be free and available for three weeks.

But if you can make it to Brussels, please do so! You will definitely feel richer for a special theatrical - operatic experience.

I would also like to encourage you to read the interview with Warlikowski prepared a few weeks ago by Christian Longchamps.

Boris Godunov in Madrid

Boris Godunov, Teatro Real in Madrid, October 3 2012

Director ..... Johan Simons

Conductor ..... Hartmut Haenchen

Boris Godunov ..... Günther Groissböck

Fyodor ..... Alexandra Kadurina

Yenia ..... Alina Yarovaya

Yenia's nurse ..... Margarita Nekrasova

Prince Shuisky ..... Stefan Margita

Chelkalov ..... Yuri Nechaev

Pimen ..... Dmitry Ulyanov

Grigory ..... Michael König

Marina Mnishek ..... Julia Gertseva

Rangoni ..... Evgeny Nikitin

Varlaam ..... Anatoli Kotscherga

Misail ..... John Easterlin

Innkeeper ..... Pilar Vázquez

Simpleton ..... Andrey Popov

Nikitich ..... Károly Szemerédy

Mitiushka ..... Fernando Radó

Court Boyar ..... Antonio Lozano

Boyar Khrushchyov ..... Tomeu Bibiloni

Levitski ..... Ángel Rodríguez

Chernikovski ..... Rodrigo Álvarez

Coro y Orquesta Titulares del Teatro Real

Children Chorus - JORCAM

Stéphane Lissner to run the Paris Opera from September 2015

La gioia! 

Stéphane Lissner, who I praised here on several occasions --last time it was about his projects at La Scala for 2012-2015-- will be the new general director of the Paris Opera starting from September 2015!

That is very good news as the creative art might be coming back to Bastille and Garnier.

I did not want to blog about all the ghastly productions created at the Paris Opera over the past few years. I think it is fair to say that the quality level of new productions presented last year was the history lowest (Manon, Faust, La Forza del Destino, Cav/Pag, Hippolyte et Aricie -- hard to pick the worst). The decision of the French Ministry of Culture to say goodbye to Nicolas Joël was the only rational outcome after the "artistic" choices he imposed on the Paris Opera over the past 3-4 years.

Musica Sola also describes the last trick Joël wanted to pull out in order to make his sacking look like his personal choice...  Sorry Nick, it's a Red Card! 

Argh...

A MAJOR bummer: I missed the train to Zurich, and so this time I will not be able to see Jenufa at the Opernhaus Zürich [theater run by our fave Andreas Homoki!].

Inside the Zurich Opera (photo I took last time I was there, in July 2011)

I will have to wait until the Zurich Opera Festival in July to actually see the show.

I have no one to blame  for coming late to La Gare de l'Est but myself. The ticket I had was a "special fare", valid only for the train I missed.  If anyone reading this post is in Zurich and wants to see Jenufa tonight (Sunday, Oct 7) let me know and I'll send you my electronic ticket.

Don Carlo in Amsterdam: Talented Mr. Decker and Amazing Mr. Maltman

Don Carlo, De Nederlandse Opera (DNO) in Amsterdam, May 13 2012

Director ..... Willy Decker

Conductor ..... Yannick Nézet-Séguin

Filippo II ..... Mikhail Petrenko

Don Carlo ..... Massimo Giordano

Rodrigo ..... Christopher Maltman

Il grande inquisitore ..... Sir John Tomlinson

Elisabetta di Valois ..... Camilla Nylund

La principessa d'Eboli ..... Ekaterina Gubanova

Un frate ..... Andrea Mastroni

Tebaldo, paggio d’Elisabetta ..... Eugénie Warnier

La contessa d'Aremberg ..... Mariëtte Oelderik

Il conte di Lerma/Un araldo reale ..... Rudi de Vries

Una voce dal cielo ..... Lisette Bolle

Rotterdam Philharmonic Orchestra

Koor van De Nederlandse Opera

News You Can Use

I skipped the whole summer of opera streaming, so I'm now trying to catch up when I can.
I am halfway watching the absolutely dreadful production of Ariadne auf Naxos presented at the Salzburg Festival 2012 and I hope I'll have enough courage to finish it. I should see Die Zauberflöte where my absolute fave singer (Georg Zeppenfeld) was apparently great. Die Soldaten could be interesting too.  Le Nozze di Figaro from Aix en Provence 2012, produced by Richard Brunel, should be a treat to see too, but I most regret the new Jan Philipp Gloger production of The Flying Dutchman in Bayreuth. Hopefully I will get the opportunity to see it next year... OK, this last was not streamed or broadcast.

What good to expect to see in one of these live broadcasts in 2012-2013?

Cosí fan tutte in Nancy

Cosí fan tutte, Opéra National de Lorraine in Nancy, September 30, 2012

Lionel Lhote, Gaëlle Arquez, Gyula Orendt, Tito Muñoz, Marie Adeline Henry, Julien Behr and Clémence Barrabé

Director ..... Jim Lucassen

Conductor ..... Tito Muñoz

Fiordiligi ..... Marie Adeline Henry 

Dorabella ..... Gaëlle Arquez 

Despina ..... Clémence Barrabé 

Ferrando ..... Julien Behr 

Guglielmo ..... Gyula Orendt 

Don Alfonso ..... Lionel Lhote 

Schreker Opera in Amsterdam: Der Schatzgräber

Der Schatzgräber, De Nederlandse Opera in Amsterdam, September 23 2012

Director ..... Ivo van Hove

Conductor ..... Marc Albrecht

Els ..... Manuela Uhl
Elis ..... Raymond Very
 Der Narr ..... Graham Clark
 Albi ..... Gordon Gietz
Der Junker ..... Mattijs van de Woerd
Der Wirt ..... Andrew Greenan
Der König ..... Tijl Faveyts
Die Königin ..... Basja Chanowski
Der Kanzler/Der Schreiber ..... Alasdair Elliott
Herold / Der Graf ..... André Morsch
Der Magister/Der Schultheiss ..... Kurt Gysen
er Vogt ...... Kay Stiefermann
Ein Landsknecht ..... Peter Arink
Erster Bürger ..... Cato Fordham
Zweiter Bürger ..... Richard Meijer
Mezzo Sopran Solo ..... Marieke Reuten
Alt Solo ..... Inez Hafkamp   
Alt Solo ..... Hiroko Mogaki
   
   
   
Netherlands Philharmonic Orchestra
Koor van De Nederlandse Opera [Alan Woodbridge]

Schatzgrabbing

And so I succeeded to come to Amsterdam and get to see the last show of this gem-opera, in a production that is supposed to be one of the most significant operatic events this fall in Europe. Good!

About the show, hopefully tonight.

Important detail: I just checked and the "Musiektheater" wifi connection is free AND fast. Love De Nederlandse Opera! Cheers

Requiescat in pace: Ulrike Hessler

Terrible news from Dresden where one of the most sensitive to creativity among the artistic directors of big opera houses today, Ulrike Hessler, died from cancer at the age of 57.

She's been working at the Bavarian State Opera in Munich for many years, where she could see the process in which a stale conservative theater transformed into one of the most artistically compelling places in the world.

She became the general director of the Semperoper in 2010, and introduced changes that started feeling like Dresden was about to host the new best Opera House in the world. She brought the new boost to creativity, openness to young and talented directors, refused to make Semperopera a stage to big stars while regularly taking calculated risks with something new, different, special... All that while delivering the highest musical and theatrical quality that no other opera house can match today (except perhaps Brussels, Madrid, Basle while run by Schwarz, and to a lesser extent Lyon and Berlin).

My modest experience with this great theater run by this mighty lady included: a perfectly cast (!) superbly performed Rusalka staged by Herheim, followed by the first opera staged in a big venue by the phenomenal Jan Philipp Gloger (unforgettable Alcina!), audaciously programmed Tannhäuser, staged by Peter Konwitschny for Good Friday 2011 (!), and finally a splendid production of La Clemenza di Tito (that I will try and blog about sometimes in the weeks to come) in which the delightfully talented Bettina Bruinier was given the opportunity to show that creativity can still be infiltrated in this operatic masterpiece by Mozart.

Just see the program of the Semperoper and you will soon understand why this opera house under Ulrike Hessler became so special.

It is a sad day for all of us who still believe that opera can be artistically worthy of attention and where the creativity can find its way despite the ultraconservative public that fear anything that even looks like a change.

She will be missed!

Daniel Barenboim, who brings harmony in the place of discord

Huge props to Danny Boyle for staging the magnificent opening ceremony of the 30th Olympics in London last night. By far the best one I could see in my life.

The level of cheesiness was reduced to an absolute minimum [only the "Hey Jude" part was streaming with cheese], and his team managed to stage the show without an epsilon of kitsch -- which must be the first time to happen in modern Olympic history. 

Loved the transition from the rural to industrial England (with Kenneth Branagh reciting the lines from The Tempest), and especially the director's choice to celebrate the NHS, which is a crown of humanistic idea of a civilized society. Even that was made without pathos, but entangled in the fantasy world of the children's storybooks.

The storytelling depicting our times through gigantic names of the British pop, rock, punk... music was extraordinary!

LSO made a notable appearance during the show: at the beginning conducted by François-Xavier Roth, and later on --in the segment with Rowan Mr Bean Atkinson-- under Sir Simon Rattle.

As I am a huge huge admirer of Daniel Barenboim I was holding back my tears when I saw him carrying the Olympic Flag together with other seven extraordinary persons of our time. The world recognized this huge musician who is 5 times larger than life by a phrase "Daniel Barenboim, who brings harmony in the place of discord".

Götterdämmerung from Munich

Andreas Kriegenburg is a very good opera director who started his career at a theater workshop in East Germany, and soon showed  that beyond his ``know how" in building the sets, there was a true talent for theater. Today he is one of the world's leading opera producers. His production of Otello in Berlin and especially his Wozzeck in Munich will remain as examples of how an opera director should work in order to make the shows both spectacular, innovative and dramatically engaging -- which is today almost impossible to see in any of the big opera houses worldwide.

Although the Munich Opera is getting increasingly fancy and less and less artistically compelling, the Kriegenburg Ring is definitely on the short-list of 'must see'  new opera productions in Europe. So we are lucky to be given to see today the live streaming from the Bayerische Staatsoper in Munich of the new production of Götterdämmerung, with arguably the best Ring conductor today (contrary to the heartkess rendition of you-know-who), Kent Nagano, who will be leading the superb BSO orchestra, and a terrific cast that includes:   

Stephen Gould Siegfried, Nina Stemme Brünnhilde, Eric Halfvarson Hagen,  Wolfgang Koch Alberich, Michaela Schuster Waltraute, Iain Paterson Gunther, Anna Gabler Gutrune, Eri Nakamura Woglinde,  Angela Brower Wellgunde, Okka von der Damerau Floßhilde, Norn(s) Jill Grove, Irmgard Vilsmaier, Jamie Barton

It starts at 5 p.m. (CET). Here is your link.

Below are video clips (trailers, excerpts) from all four operas of the Kriegenburg Ring.

Two words

Poppea e Nerone

Stage before the beginning of Part-Two of Poppea e Nerone in Madrid

La prima starts in a little more than an hour.

You could NOT imagine what acrobacy with my work and time I had to make to come to Madrid for the show... Suffering for art, indeed ;) Cheers

More on the Tcherniakov production of Il Trovatore: production photos and video excerpts

As I already said in my blog-post after the yesterday's premiere, this show is among the very best of what opera can offer you this year, so if you possibly can, do go to Brussels and see this gem while it's on the program -- it will never be as good on video as it is in a live performance.

Production photos are added below [all ©Bernd Uhlig] and, thanks to the reader Claire, we learn that a video --produced by Cobra.be and containing several excerpts from the show-- is also available. The video is actually an interview with Marc Minkowski. It is not embeddable but here is your link.

You can also listen to an interview with Scott Hendricks on the FM-Brussel radio.

Congrats to Janai, Anthony and Enhbat -- Winners of Operalia 2012!

Operalia 2012 took place last week in Beijing and finished yesterday, Sunday June 10th, with a final concert that was live broadcast on Medici TV and is now available for free viewing (here is your link).

The winners are 

1st prize: Enhbat Amartuvshin (baritone-Mongolia), Anthony Roth Costanzo  (countertenor-USA) and Janai Brugger-Orman (soprano-USA)

2nd prize: Yunpeng Wang (baritone-China), Brian Jagde (tenor-USA) and Guanqun Yu (soprano-China),

3rd prize: Roman Burdenko (baritone-Russia) and Nadezhda Karyazina (mezzo-Russia)


Other prize winners are

Il Trovatore premiered in Brussels: Tcherniakov hits a big show again, Scott Hendricks too

Il Trovatore, La Monnaie/De Munt in Brussels, June 10 2012

Director ..... Dmitri Tcherniakov

Music direction ..... Marc Minkowski

Il Conte di Luna ..... Scott Hendricks

Manrico ..... Misha Didyk

Azucena ..... Sylvie Brunet-Grupposo

Leonora ..... Marina Poplavskaya

Ferrando ..... Giovanni Furlanetto

La Monnaie Symphony Orchestra & Chorus

Zaz

There is something positively operatic, sincere, that happens when listening to Isabelle Geffroy, a.k.a. Zaz. It's like with Lucio Dalla, with Jamie Cullum, with early Regina Spektor...

Farnace for the people

Tonight May 30 at 8 p.m. (cet) you may watch the live-webcast from Opéra National du Rhin - Strasbourg, of their new production of Farnace, a Vivaldi opera that I don't particularly like but I'm sure that always phenomenal Max Emanuel Cencic will find a way to make it extra-exciting. The rest of the castt looks good on paper too.

Ruxandra Donose and Max Emanuel Cencic [photo ©Alain Kaiser]

I'm still to see Giulio Cesare that was live webcast three days ago from Salzburg, mainly because our fave Christophe Dumaux ;)

Farnace, May 30 2012, at 20:00 Paris time
dir- Lucinda Childs, cnd- George Petrou (Concerto Köln), cast: Max Emanuel Cencic, Vivica Genaux, Ruxandra Donose, Mary Ellen Nesi, Emiliano Gonzalez Toro, Carol Garcia, Juan Sancho]

Video embedded below.

Così or not Così

Così fan tutte, Théâtre des Champs Élysées, May 22 2012

Jérémie Rhorer..... Director

Eric Génovèse [Valérie Nègre] ..... Director 

Camilla Tilling ..... Fiordiligi 

Michèle Losier ..... Dorabella 

Claire Debono ..... Despina 

Bernard Richter ..... Ferrando 

Markus Werba ..... Guglielmo 

Pietro Spagnoli ..... Don Alfonso 

Le Cercle de l'Harmonie 

Choeur du Théâtre des Champs-Elysées

Ascolta! Se Romeo t'uccise un figlio... Trebs time!

Live stream from the Bavarian State Opera of  I Capuleti e i Montecchi --the famous Bellini's take on Romeo and Juliet-- is about to start. The libretto of this opera is maybe not as bad as that of Norma, but it is awful anyway. However, there are some terrific tunes that will hopefully be well sung by Anna Netrebko and Vesselina Kasarova. Dimitri Pittas, Ante Jerkunica and Paul Gay complete the cast.

The production must be 'harmless' --Vincent Boussard is a specialist for what you can call "safe nice shows"-- so the traditionalists and conservatives won't be outraged.  Here is your link 
[libretto here]

Netrebko was terrific in this role a few years ago in a Robert Carsen production in Paris -- she and Joyce DiDonato rocked Bastille.

Trailer of this [Munich] production is attached below...
Enjoy! 
Udachi Anna!

Amsterdam DC

Hello from --always great fun to visit-- Amsterdam where the Nederlandse Opera revived their good production of Don Carlo produced by the Talented Mr. Decker, and Yours Truly wouldn't want to skip as the cast looks terrific on paper (I love-love Katya Gubanova, Chris Maltman and Misha Petrenko). Massimo Giordano is in the title role, instead of the previously scheduled Andrew Richards who had to pull out due to throat infection. Massimo was excellent in Berlin so it should be goood!  I am  also curious to hear what Yannick Nézet-Séguin made of this perilous score.

Very good show. The production is not matching the greatness of the legendary Konwitschny show but it is clever and stylish at the same time -- which is what Decker always manages to do in his peculiar way. It is also much much better than the tired Met/ROH production that flooded the world n DVD and the HD broadcast to the movie theaters. 

The cast is really brilliant with Chris Maltman killing Posa [this must be unbeatable singing/acting of this role -- this man is über-talented]. Camilla Nylund was amazing too -- the role of Elisabetta seems like written for her. Bravi tutti! Yannick Nézet-Séguin came with his orchestra and it shows -- extraordinary precision and they obviously practiced a lot to give DC a fresh look. YNS has a very lyric approach to the score and it often sounds different from what we're used to. Will hopefully blog tomorrow more. Cheers

Alcina in Bordeaux: Envoûtant!

Alcina, Opéra national de Bordeaux, May 2 2012

Director ..... David Alden
Conductor ..... Harry Bicket


Alcina ..... Elza van den Heever
Morgana ..... Anna Christy
Ruggiero ..... Isabel Leonard
Bradamante ..... Sonia Prina
Oronte ..... Alek Shrader
Melisso ..... Wojtek Gierlach
Oberto ..... Mélody Louledjian

Orchestre National Bordeaux Aquitaine
Choeur de l’Opéra National de Bordeaux