I'm watching the Munich production of Boris Godunov directed by Calixto Bieito --that I DVRed while I was at the theater attending the Martin Kusej show-- and it looks to me as a 'scary sequel' of his [Calixto's] take on Der Fliegende Holländer.
I'll probably throw in a few paragraphs about this gem when I finish watching it but as of now I just wanted to unleash one more time "Calixto Bieito is a freaking genius!"
He is a good man, humanist to the core, a man with a huge heart, with a big pair... , and with a subtle ear for every human state or emotion.
I am also glad the Bayerische Staatsoper (BSO) finally scores a big show.
The advantage of the BSO over the other big opera houses is that they're constantly trying to explore various theatrical styles, which means taking risks all the time. Unfortunately, several of their recent new productions fell flat, but this one grandly compensates for all those unhappy outcomes. [I love the cast too!] I believe this is the first great BSO show since Mitridate [if I don't count The Ring]. So, congrats to BSO from their old fan!
I'll probably throw in a few paragraphs about this gem when I finish watching it but as of now I just wanted to unleash one more time "Calixto Bieito is a freaking genius!"
He is a good man, humanist to the core, a man with a huge heart, with a big pair... , and with a subtle ear for every human state or emotion.
I am also glad the Bayerische Staatsoper (BSO) finally scores a big show.
The advantage of the BSO over the other big opera houses is that they're constantly trying to explore various theatrical styles, which means taking risks all the time. Unfortunately, several of their recent new productions fell flat, but this one grandly compensates for all those unhappy outcomes. [I love the cast too!] I believe this is the first great BSO show since Mitridate [if I don't count The Ring]. So, congrats to BSO from their old fan!
Oh my goodness! This looks AMAZING!
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