Hi there!
Still alive and after some lazy (and fat!) holiday time I'll be back blogging tomorrow. I should add 4-5 reviews of the shows I've seen this December.
I was also thinking about updating the "Best of 2010" list --which will be hard! It is good that I didn't rush with it before having seen all the shows I planned to see, including The Queen of Spades that I was happy to see last night at Theater Basel. This is definitely my Top-5 show this year and you should retain at least two names: Svetlana Ignatovich (unreal soprano!) and David Hermann (super-duper-talented director).
Photo above is taken last night in front of Theater Basel. They are obviously proud to be voted the best opera house in 2009 and in 2010, and I think they totally deserved the title even if my personal favorite is Komische Oper Berlin. I believe Basel, Stuttgart, La Monnaie, and Komische Berlin (and a few more theaters) are in a league above the rest when it comes to artistic creation today.
Vale!
Thursday, December 30, 2010
Tuesday, December 21, 2010
Die Passagierin on DVD
I just noticed an important DVD release: The Passenger, opera by Mieczyslaw Moisey Weinberg, that was fully staged last summer in Bregenz for the first time ever. You can order it from amazon.de or amazon.fr, and next month from amazon.co.uk too [didn't find any info about the release date amazon.com]
I saw this show in Bregenz and discussed it on this blog - c.f. here [there you can also find the synopsis for this opera as well as a bunch of production photos]. Together with DVD you get a short illustrated book about Weinberg's extraordinary life and about this opera in particular. Read it before watching the show -- it very much changes your perspective.
To me this was (one of) the most intense emotional operatic moment(s) in 2010. Thanks to David Pountney and to the whole production team.
Wholeheartedly recommended!
I saw this show in Bregenz and discussed it on this blog - c.f. here [there you can also find the synopsis for this opera as well as a bunch of production photos]. Together with DVD you get a short illustrated book about Weinberg's extraordinary life and about this opera in particular. Read it before watching the show -- it very much changes your perspective.
To me this was (one of) the most intense emotional operatic moment(s) in 2010. Thanks to David Pountney and to the whole production team.
Wholeheartedly recommended!
Monday, December 20, 2010
Waiting for Bieito's Fidelio [pics!]
No, we do not want to know any detail about the Bieito-production of Fidelio before its premiere at Bayrische Staatsoper (BSO), Munich. However, we can't resist checking rehearsal pics [see BSO blog]
and also a dozen of pics taken during the last dress rehearsal (attached below). Personally, I wish I will be proven wrong but von Peter's Fidelio at Komische will be hard to beat...
Jonas risks again to have the show stolen by his female costar, Anja.
In Lohengrin --also in Munich-- Anja Harteros sang the best Elsa ever. This time Anja Kampe might do the same with Leonore.
If you want to listen to the premiere, BR radio will provide live broadcast on this link starting from 19:00 (cet) [December 21 2010].
Calixto Bieito and Jonas Kaufmann preparing the premiere of a new production of Fidelio at BSO in Munich |
Jonas risks again to have the show stolen by his female costar, Anja.
In Lohengrin --also in Munich-- Anja Harteros sang the best Elsa ever. This time Anja Kampe might do the same with Leonore.
If you want to listen to the premiere, BR radio will provide live broadcast on this link starting from 19:00 (cet) [December 21 2010].
Sunday, December 19, 2010
Denoke and Mattei sing Zemlinsky
Webern-Berg-Zemlinsky, Salle Pleyel - Paris, December 3 2010
Angela Denoke |
Angela Denoke .... soprano
Peter Mattei ... baritone
Orchestre Philharmonique de Radio France
Les Troyens in Berlin (DOB)
Les Troyens, Deutsche Oper Berlin, December 11 2010
Conductor ..... Donald Runnicles
Director ..... David Pountney
Stage design ..... Johan Engels
Costume design ..... Marie-Jeanne Lecca
Chorus master ..... William Spaulding
Énée ..... Ian Storey
Chorèbe ..... Jean-Francois Lapointe
Panthée ..... Seth Carico
Narbal ..... Reinhard Hagen
Iopas ..... Gregory Warren
Ascagne ..... Jana Kurucová
Cassandre ..... Petra Lang
Didon ..... Béatrice Uria-Monzon
Anna ..... Liane Keegan
Priam ..... Lenus Carlson
Greek military leader ..... Sergio Vitale
Hector's shadow ..... Stephen Bronk
Hélénus ..... Yosep Kang
A soldier ..... Ben Wager
Two Trojan soldiers ..... Ben Wager
Two Trojan soldiers ..... Lenus Carlson
Mercure ..... Stephen Bronk
Hécube ..... Fionnuala McCarthy
Andromache ..... Etoile Chaville
Chor der Deutschen Oper Berlin
Orchester der Deutschen Oper Berlin
Opernballett der Deutschen Oper Berlin
Director ..... David Pountney
Stage design ..... Johan Engels
Costume design ..... Marie-Jeanne Lecca
Chorus master ..... William Spaulding
Énée ..... Ian Storey
Chorèbe ..... Jean-Francois Lapointe
Panthée ..... Seth Carico
Narbal ..... Reinhard Hagen
Iopas ..... Gregory Warren
Ascagne ..... Jana Kurucová
Cassandre ..... Petra Lang
Didon ..... Béatrice Uria-Monzon
Anna ..... Liane Keegan
Priam ..... Lenus Carlson
Greek military leader ..... Sergio Vitale
Hector's shadow ..... Stephen Bronk
Hélénus ..... Yosep Kang
A soldier ..... Ben Wager
Two Trojan soldiers ..... Ben Wager
Two Trojan soldiers ..... Lenus Carlson
Mercure ..... Stephen Bronk
Hécube ..... Fionnuala McCarthy
Andromache ..... Etoile Chaville
Chor der Deutschen Oper Berlin
Orchester der Deutschen Oper Berlin
Opernballett der Deutschen Oper Berlin
J’avais entièrement terminé à cette époque l’ouvrage dramatique dont je parlais tout à l’heure et dont j’ai fait mention dans une note d’un des précédents chapitres [allusion aux Troyens; voyez ci-dessus]. Me trouvant à Weimar quatre ans auparavant chez la princesse de Wittgenstein (amie dévouée de Liszt, femme de cœur et d’esprit, qui m’a soutenu bien souvent dans mes plus tristes heures), je fus amené à parler de mon admiration pour Virgile et de l’idée que je me faisais d’un grand opéra traité dans le système shakespearien, dont le deuxième et le quatrième livre de l’Énéide seraient le sujet. J’ajoutai que je savais trop quels chagrins une telle entreprise me causerait nécessairement, pour que j’en vinsse jamais à la tenter. "En effet, répliqua la princesse, de votre passion pour Shakespeare unie à cet amour de l’antique, il doit résulter quelque chose de grandiose et de nouveau. Allons, il faut faire cet opéra, ce poème lyrique; appelez-le et disposez-le comme il vous plaira. Il faut le commencer et le finir." Comme je continuais à m’en défendre: "Ecoutez, me dit la princesse, si vous reculez devant les peines que cette œuvre peut et doit vous causer, si vous avez la faiblesse d’en avoir peur et de ne pas tout braver pour Didon et Cassandre, ne vous représentez jamais chez moi, je ne veux plus vous voir." Il n’en fallait pas tant dire pour me décider. De retour à Paris je commençai à écrire les vers du poème lyrique des Troyens. Puis je me mis à la partition, et au bout de trois ans et demi de corrections, de changements, d’additions, etc., tout fut terminé.
Hector Berlioz, 1864
Thursday, December 16, 2010
The Rake's Progress in Berlin
The Rake's Progress, Staatsoper Berlin (Shiller-Theater), December 10 2010
Conductor ..... Ingo Metzmacher
Director ..... Krzysztof Warlikowski
Set and Costume Designer ..... Małgorzata Szczęśniak
Light Designer ..... Felice Ross
Video ..... Denis Guéguin
Chorus Master ..... Frank Flade
Choreographer ..... Claude Bardouil
Trulove ..... Andreas Bauer
Anne ..... Anna Prohaska
Tom Rakewell ..... Florian Hoffmann
Nick Shadow ..... Gidon Saks
Mother Goose ..... Birgit Remmert
Baba the Turk ..... Nicolas Ziélinski
Sellem ..... Erin Caves
Keeper of the madhouse ..... James Homann
Staatsopernchor
Staatskapelle Berlin
It's the place where my prediction from the sixties finally came true: "In the future everyone will be famous for fifteen minutes." I'm bored with that line. I never use it anymore. My new line is, "In fifteen minutes everybody will be famous."
Andy Warhol's Exposures (1979)
Labels:
Bauer,
Caves,
Deutsche Staats Oper Berlin,
Hoffmann,
Metzmacher,
Prohaska,
Remmert,
Saks,
Warlikowski,
Ziélinski
Friday, December 10, 2010
The Warlikowski's Progress in Berlin
Still alive but too busy and have no Internet connection from the hotel I'm staying at. So this is just a quick iPhone post after the premiere of The Rake's Progress in Berlin (finished *half an hour ago).
Very-very good show with phenomenal Gidon Saks as Nick Shadow and Nicolas Zielinski as Baba the Turk, and all the other singers/actors excellent too.Warli and Ingo Metzmacher rock!
More tomorrow (hopefully)! Cheers
Very-very good show with phenomenal Gidon Saks as Nick Shadow and Nicolas Zielinski as Baba the Turk, and all the other singers/actors excellent too.Warli and Ingo Metzmacher rock!
Yess: I took a photo with Warli looking pleased and happy! That was one more extraordinary element in this Rake's Progress :) |
More tomorrow (hopefully)! Cheers
Saturday, December 4, 2010
Word to the Wise
I already posted info about the live broadcast of this year's season-opener at La Scala -- Die Walküre (check out the updates).
A fresh AP article about the production, this opera, and about Wagner, quotes our huge fave Daniel Barenboim saying "We need one day to liberate Wagner of all this [Nazi] weight."
Since this guilt by association is getting way too tired, and Daniel's the right person to say it loud and clear, I believe this (short) article deserves to be copy/paste-ed:
Nina Stemme and Die Walküre: photo [©AP] taken during a dress rehearsal of the Guy Cassiers production to be premiered next Tuesday at La Scala |
A fresh AP article about the production, this opera, and about Wagner, quotes our huge fave Daniel Barenboim saying "We need one day to liberate Wagner of all this [Nazi] weight."
Since this guilt by association is getting way too tired, and Daniel's the right person to say it loud and clear, I believe this (short) article deserves to be copy/paste-ed:
Labels:
Barenboim
Achtung Achtung: Parsifal in Brussels
One of the most important Wagner-events in 2011 will be a new production of Parsifal at La Monnaie/De Munt in Brussels [one of the coolest opera houses today, in good part thanks to its intendant - Peter de Caluwe]. Romeo Castellucci --famous in the world of theater but not in its opera-section (yet!)-- will be directing the show, while arguably one of the best Wagner conductors today, Hartmut Haenchen will conduct. The premiere is scheduled for Thursday, January 27 2011.
Another reason for this show to be big is Andrew Richards --currently on a roll and I suppose at his lifetime best-- who will sing the title role [after his brilliant role debut in Bieito's production in Stuttgart, this will be his second Parsifal]. Don't forget to check out his blog Opera Rocks where he will be regularly posting about the creation process of this production.
Also thrilling should be to listen to Thomas Johannes Mayer (major intl discovery this year!) singing Amfortas.
Another reason for this show to be big is Andrew Richards --currently on a roll and I suppose at his lifetime best-- who will sing the title role [after his brilliant role debut in Bieito's production in Stuttgart, this will be his second Parsifal]. Don't forget to check out his blog Opera Rocks where he will be regularly posting about the creation process of this production.
Also thrilling should be to listen to Thomas Johannes Mayer (major intl discovery this year!) singing Amfortas.
Since this is one of the productions not to be missed in 2011, I thought you might wish to know that the on-line ticket-sales (or via phone) start today, Saturday - December 4.
Labels:
Castellucci,
Haenchen,
La Monnaie,
Mayer,
Richards
Friday, December 3, 2010
Thursday, December 2, 2010
Gil Shaham and Petrushka at Pleyel
Prokofiev-Stravinsky-Lyadov, Salle Pleyel, December 1st 2010
Gil Shaham |
Labels:
Orchestre de Paris,
Shaham,
Slobodeniouk
Wednesday, December 1, 2010
David Afkham in Paris
Ultra-talented, 27 years old and this year's winner of Salzburg Festival Young Conductors Award, David Afkham, will conduct Orchestre National de France coming Thursday, December 2, at Théâtre des Champs Elysées (TCE) in Paris. For details of the concert program please see this link.
Good news for those who cannot come to TCE is that Radio France Musique will live broadcast the concert on this link [click on "écouter le direct"] starting from 20:00 (CET).
For more on David, read e.g. this recent article , interview (in French), or listen to an interview he gave to www.conducting.org [he's won the Donatella Flick Award in 2008] appended below
Good news for those who cannot come to TCE is that Radio France Musique will live broadcast the concert on this link [click on "écouter le direct"] starting from 20:00 (CET).
For more on David, read e.g. this recent article , interview (in French), or listen to an interview he gave to www.conducting.org [he's won the Donatella Flick Award in 2008] appended below
We will barock you (5): Alcina at Théâtre des Champs-Élysées
Alcina (in concert), TCE Paris, November 29 2010
Les Musiciens du Louvre-Grenoble
Anja Karteros (Alcina) and Vesselina Kasarova (Ruggero) - photo Herwig Prammer |
Marc Minkowski ..... conductor
Anja Harteros ..... Alcina
Vesselina Kasarova ..... Ruggiero
Verónica Cangemi ..... Morgana
Kristina Hammarström ..... Bradamante
Luca Tittoto ..... Melisso
Benjamin Bruns ..... Oronte
Shintaro Nakajima Oberto .... a young boy
Vesselina Kasarova ..... Ruggiero
Verónica Cangemi ..... Morgana
Kristina Hammarström ..... Bradamante
Luca Tittoto ..... Melisso
Benjamin Bruns ..... Oronte
Shintaro Nakajima Oberto .... a young boy
Les Musiciens du Louvre-Grenoble
Tuesday, November 30, 2010
Dezember 2010: Neue Inszenierungen
6 out of many new productions in Europe this December will be particularly interesting to follow.
- Sun 5: Les Troyens [dir- David Pountney, cnd- Donald Runnicles] at Deutsche Oper in Berlin, with Ian Storey, Petra Lang, Béatrice Uria-Monzon... and with the World's best chorus
- Tue 7: Die Walküre [dir- Guy Cassiers, cnd- Daniel Barenboim] at La Scala di Milano, with Simon O’Neill, John Tomlinson, Vitalij Kowaljow, Waltraud Meier, Nina Stemme, Ekaterina Gubanova
- Fri 10: The Queen of Spades [dir- David Hermann, cnd- Gabriel Feltz] at Theater Basel with Maxim Aksenov, Nikolay Borchev, Hanna Schwarz, Svetlana Ignatovich, Eung Kwang Lee
- Fri 10: The Rake's Progress [dir- Krzysztof Warlikowski, cnd- Ingo Metzmacher] at Staatsoper in Berlin with Florian Hoffmann, Anna Prohaska, Gidon Saks...
- Sat 11: Tannhäuser [dir-Tim Albery, cnd- Semyon Bychkov] at ROH in London, with Eva-Maria Westbroek, Michaela Schuster, Johan Botha, Christian Gerhaher
- Tue 21: Fidelio [dir- Calixto Bieito, cnd- Daniele Gatti] at Bayrische Staatsoper in Munich, with Jonas Kaufmann, Anja Kampe,Franz-Josef Selig...
Monday, November 29, 2010
Tea at Five with Wotan and friends
Season opener at La Scala season will be the first Ring opera Die Walküre (Rheingold is only a prologue).
This joint new production of La Scala and Staatsoper in Berlin will be directed by Guy Cassiers and conducted by Daniel Barenboim, and it will be premiered on Tuesday, December 7 starting at 5 p.m. (cet). The show will be live broadcast to many cinemas around the world, but also via ever more cool Mezzo-TV.
While waiting to see this fantastic cast* in action (in an interesting production too!) you can follow the rehearsal vlog this link.
*Siegmund - Simon O’Neill, Hunding - John Tomlinson, Wotan - Vitalij Kowaljow, Sieglinde - Waltraud Meier, Brünnhilde - Nina Stemme, Fricka - Ekaterina Gubanova
UPDATES:
This joint new production of La Scala and Staatsoper in Berlin will be directed by Guy Cassiers and conducted by Daniel Barenboim, and it will be premiered on Tuesday, December 7 starting at 5 p.m. (cet). The show will be live broadcast to many cinemas around the world, but also via ever more cool Mezzo-TV.
Nina Stemme (Brünnhilde) and Vitalij Kowaljow (Wotan) |
While waiting to see this fantastic cast* in action (in an interesting production too!) you can follow the rehearsal vlog this link.
*Siegmund - Simon O’Neill, Hunding - John Tomlinson, Wotan - Vitalij Kowaljow, Sieglinde - Waltraud Meier, Brünnhilde - Nina Stemme, Fricka - Ekaterina Gubanova
UPDATES:
(Dec 3)
Simon O'Neill is apparently ill. Frank van Aken is covering for him. Alas, during the stage rehearsal last Wednesday Frank fainted. Wishing the best to Frank and to the whole production team!
(Dec 4)
1. Photos of the show taken during dress rehearsals added below [all photos ©AP]
2. Live radio broadcast will be provided by Rai-3 on this link, France Musique on this link... Sunday, November 28, 2010
Panties Problem at Flanders Opera
I didn't want to add oil to the fire by extra-blogging about the controversy that involved Vlaamse Opera and Muslim Executive of Belgium (MEB). Now, since the story is over blogging about it is benign.
The reason for a big fuss --that obviously instantly woke up the extremes on both sides of the issue-- was a trailer run on Belgian-TV announcing Die Entführung aus dem Serail which the spokesperson of MEB qualified as rude and offensive. He went on and said the following poster, showing a women wearing half-burka/half-panties, was "downright insulting"
Of course the ensuing polemics ranged from qualifying the complaint as "whining", to those who were surprised by the MEB reaction finding the trailer/poster "neither offensive, nor funny", to those who thought the publicity stunt was "insensitive"...
If they complain then it was probably a tad insensitive [nothing insulting though - Come ON!], but a good theater should push the boundaries and tackle important issues relevant to the society in which it creates art -- that's how theater lives instead of rewinding the old stuff for ever and ever...
You should know that the Flanders Opera is not a big rich opera house, but delightfully creative and audacious. Ivo van genius-Hove, Guy Joosten, Guy Cassier... all come from this theater.
Here is the famous trailer:
The reason for a big fuss --that obviously instantly woke up the extremes on both sides of the issue-- was a trailer run on Belgian-TV announcing Die Entführung aus dem Serail which the spokesperson of MEB qualified as rude and offensive. He went on and said the following poster, showing a women wearing half-burka/half-panties, was "downright insulting"
Of course the ensuing polemics ranged from qualifying the complaint as "whining", to those who were surprised by the MEB reaction finding the trailer/poster "neither offensive, nor funny", to those who thought the publicity stunt was "insensitive"...
If they complain then it was probably a tad insensitive [nothing insulting though - Come ON!], but a good theater should push the boundaries and tackle important issues relevant to the society in which it creates art -- that's how theater lives instead of rewinding the old stuff for ever and ever...
You should know that the Flanders Opera is not a big rich opera house, but delightfully creative and audacious. Ivo van genius-Hove, Guy Joosten, Guy Cassier... all come from this theater.
Here is the famous trailer:
Friday, November 26, 2010
Tea at Five with Wozzeck live from Bolshoi
This evening at 5 p.m. (cet), Mezzo-TV will broadcast Wozzeck, live from Bolshoi Theater in Moscow [dir- Dmitri Tcherniakov, cnd- Teodor Currentzis, Cast: Georg Nigl, Mardi Byers, Roman Muravitsky, ...]
Russian public discovered Wozzeck last year [first stage performance of Berg's Wozzeck in Moscow], and both the Russian cultural circles and the foreign critics loved it. Good news is that this live broadcast will be followed by a DVD release.
By far the best Wozzeck on DVD is the one by Bieito and Weigle. Too bad the Paris Opera did not invest in recording one of its best recent productions - Wozzeck with Simon Keenlyside and Angela Denoke, directed by Christoph Marthaler and with Sylvain Cambreling conducting.
Tcherniakov is one of my top-5 fave directors, Bolshoi invested big money [its generous sponsor!] to make this show happen -- so it should be good. Currentzis must be the most passionate and one of the most innovative conductors today, plus there's Georg Nigl in the title role, and we're ready to see and hear Mardi Byers singing... -- This one is a winner, I'm tellin ya :)
Russian public discovered Wozzeck last year [first stage performance of Berg's Wozzeck in Moscow], and both the Russian cultural circles and the foreign critics loved it. Good news is that this live broadcast will be followed by a DVD release.
By far the best Wozzeck on DVD is the one by Bieito and Weigle. Too bad the Paris Opera did not invest in recording one of its best recent productions - Wozzeck with Simon Keenlyside and Angela Denoke, directed by Christoph Marthaler and with Sylvain Cambreling conducting.
Tcherniakov is one of my top-5 fave directors, Bolshoi invested big money [its generous sponsor!] to make this show happen -- so it should be good. Currentzis must be the most passionate and one of the most innovative conductors today, plus there's Georg Nigl in the title role, and we're ready to see and hear Mardi Byers singing... -- This one is a winner, I'm tellin ya :)
Labels:
Bolshoi,
Byers,
Currentzis,
Mezzo,
Nigl,
Tcherniakov
And the winner is...
I already blogged about the Arte-Live-Web coverage of the final weeks of the ARMEL Intl Opera Competition in Szeged (Hungary). Results?
Cristina Baggio won for the role of Renata in what the jury decided was the best production - The Fiery Angel. Congrats to all the winners! [full list with other distinctions is available on this link]
I saw the winning show [The Fiery Angel] --one of my 20 favorite operas-- and was impressed.
For more production photos please see here.
Below is embedded the full video of the winning show (available for free viewing until February 2011.)
Cristina Baggio won for the role of Renata in what the jury decided was the best production - The Fiery Angel. Congrats to all the winners! [full list with other distinctions is available on this link]
A scene from The Fiery Angel in Szeged |
- It is extremely difficult to sing this opera and to see young performers putting their guts and hearts was touchy and thrilling at the same time. A bunch of compliments go to Renata and Ruprecht sung by Cristina Baggio and Zsolt Haja. Cristina should be extra-praised for her courage to attack this ultra-heavy role, in addition to her outstanding scenic performance.
- I was very surprised to see this opera listed for competition because it is so difficult to stage, rehearse and play -- it would have been much easier to opt for L'Elisir d'Amore or Don Pasquale, and let a soprano simper around the stage to win the crowd over. Direction and staging look similar to recent Lulu by Stefan Herheim and Heike Scheele in Copenhagen, although the lack of money and the overall level of execution remain well bellow the Copenhagen show. With that being said, a big bravo to Silviu Purcarete (director).
For more production photos please see here.
Below is embedded the full video of the winning show (available for free viewing until February 2011.)
Thursday, November 25, 2010
To lose in Mahagonny or Mahagonny in Toulouse: Good show!
Aufstieg und Fall der Stadt Mahagonny [Grandeur et décadence de la ville de Mahagonny], Théâtre du Capitole in Toulouse, November 21 2010
Laurent Pelly ..... director
Ilan Volkov ..... conductor
Marjana Lipovsek ..... Leokadja Begbick
Chris Merritt ..... Fatty, der "Prokurist"
Gregg Baker ..... Dreieinigkeitsmoses
Valentina Farcas ..... Jenny Hill
Nikolai Schukoff ..... Jim Mahoney
Roger Padullés ..... Jack O’Brien
Harry Peeters ..... Joe, genannt Alaskawolfjoe
Tommi Hakala ..... Bill, genannt Sparbüchsenbill
Orchestre national du Capitole
Ilan Volkov ..... conductor
Marjana Lipovsek ..... Leokadja Begbick
Chris Merritt ..... Fatty, der "Prokurist"
Gregg Baker ..... Dreieinigkeitsmoses
Valentina Farcas ..... Jenny Hill
Nikolai Schukoff ..... Jim Mahoney
Roger Padullés ..... Jack O’Brien
Harry Peeters ..... Joe, genannt Alaskawolfjoe
Tommi Hakala ..... Bill, genannt Sparbüchsenbill
Orchestre national du Capitole
Tuesday, November 23, 2010
Listen to Wiener Philharmoniker and Christian Thielemann
Wiener Philharmoniker lead by Christian Thielemann will give a series of concerts at Théâtre des Champs Elysées performing a full cycle of Beethoven's symphonies. Good news is that the first two concerts will be live radio broadcast by the Radio France-Musique, while the other two will also be broadcast but with a delay of 2 weeks. More specifically:
- Tuesday, November 23: Symphony no.4 and 5 [Live broadcast at 20:00 (cet) on this link - click on "direct"]
- Wednesday, November 24: Symphony no.6 and 7 [Live broadcast at 20:00 (cet) on this link]
- Saturday, November 27: Symphony no.1, 2, and 3 [broadcast - December 14 at 20:00 (cet) on this link]
- Sunday, November 28: Symphony no.8 and 9, with Annette Dasch, Piotr Beczala, Mihoko Fujimura, Robert Holl [broadcast - December 15 at 20:00 (cet) on this link]
Labels:
Thielemann,
Wiener Philharmoniker
Real Mahagonny
Rise and Fall of the City of Mahagonny, Teatro Real in Madrid [Mezzo-TV broadcast], October 2010
La Fura dels Baus ..... Director
Pablo Heras-Casado ..... Conductor
Measha Brueggergosman ..... Jenny Smith
Michael König ..... Jim MacIntyre
Willard White ..... Trinity Moses
Jane Henschel ..... Leocadia Begbick
Donald Kaasch ..... Fatty "the Bookkeeper"
John Easterlin ..... Jack O'Brien
Otto Katzameier ..... Bill
Steven Humes ..... Alaska-Wolf Joe
Orchestra and Chorus of Teatro Real in Madrid
Labels:
Brueggergosman,
Easterlin,
Fura dels Baus,
Henschel,
Heras-Casado,
Humes,
Kaasch,
Katzameier,
Konig,
Teatro Real,
White
Adventurous Ligeti in Lille
Adventures, New Adventures [by György Ligeti], Opéra de Lille, November 20 2010
Charlotte Nessi ..... director
Denis Comtet..... conductor
Jody Pou ..... soprano
Katalin Károlyi ..... mezzo-soprano
Paul-Alexandre Dubois ..... baritone
Miyoko Shida ..... dancer
Comedians: Max Delor, Nicolas De Peretti, N’Gwamoué Diabaté, Norbert Rocher
Children Choir of the Conservatoire de Wasquehal
Monday, November 22, 2010
RIP Roxana Briban
It is always sad but when it happens at 39...
Alexandru Briban said he found Roxana Briban's dead body in the bathtub late Saturday, with her wrists slit...
Briban said Sunday his wife had sunk into depression after the Bucharest National Opera severed her contract in 2009. "She wanted to sing, even without being paid," he told Mediafax news agency.
From 2003 until 2010, Briban also performed at the Vienna State Opera but her collaboration ended after Ioan Holender, the Romanian-born director stepped down this year after an 18-year tenure there.
Holender told Romanian daily Adevarul on Monday that Briban had unspecified problems with her voice and was depressed.
Friday, November 19, 2010
Piano on thin ice
Just a quick post to share a cool video-document made by Providences-production for Arte-tv, with two fantastic pianists, Edna Stern and Alexander Gurning, performing on an ice rink.
I guess the point was to show how the classical music can resonate with everyday life outside the concert halls and theaters -- giving the everyday life a zest of poetry and charm. If you like Chopin, Bach, Beethoven, Rachmaninov, you're likely to find the video below irresistible... Enjoy
I guess the point was to show how the classical music can resonate with everyday life outside the concert halls and theaters -- giving the everyday life a zest of poetry and charm. If you like Chopin, Bach, Beethoven, Rachmaninov, you're likely to find the video below irresistible... Enjoy
Wednesday, November 17, 2010
Invecchiare bene
Christa Ludwig, one of the G.O.A.T. singers, visited Salzburg during the Summer Festival this year and for the Festival's daily paper "Daily" she said something we rarely hear from an old glory. So instead of unloading the usual critiques directed at young singers, directors, and conductors she graciously said:
There is no golden age, that is just a figment of one’s imagination. I like coming to Salzburg and I also attend performances that are crazy. One always has to try to do something new. Of course it happens that some things turn out well and others not so well. But one has to try them out. It’s a shame to stick only to the old stuff!
Way to go Frau Ludwig!
Labels:
Ludwig
Portrait of Anna Netrebko
Intermezzo alerted us on her blog that CNN-I made a video portrait of Anna Netrebko. It's very good and you should see it [three videos are appended below.]
Part-3 is fun but my favorite line is actually the one at 3'44 of part-2 when she explains how she prepares her voice for a performance
Bless her!
Part-3 is fun but my favorite line is actually the one at 3'44 of part-2 when she explains how she prepares her voice for a performance
"I'm not even drinking water, I'm drinking alcohol. That's it!"
Bless her!
Labels:
Netrebko
Tuesday, November 16, 2010
Mathis der Yawner
Mathis der Maler [Matthias the Painter, Mathis le peintre], Opéra National de Paris (Bastille), November 16 2010
Olivier Py ..... Director
Christoph Eschenbach ..... Conductor
Scott Mac Allister ..... Albrecht von Brandenburg
Matthias Goerne ..... Mathis
Thorsten Grümbel ..... Lorenz von Pommersfelden
Wolfgang Ablinger-Sperrhacke ..... Wolfgang Capito
Gregory Reinhart ..... Riedinger
Michael Weinius ..... Hans Schwalb
Antoine Garcin ..... Truchsess von Waldburg
Eric Huchet ..... Sylvester von Schaumberg
Melanie Diener ..... Ursula
Martina Welschenbach ..... Regina
Nadine Weissmann ..... Die Gräfin von Helfenstein
Paris Opera Orchestra and Chorus
Christoph Eschenbach ..... Conductor
Scott Mac Allister ..... Albrecht von Brandenburg
Matthias Goerne ..... Mathis
Thorsten Grümbel ..... Lorenz von Pommersfelden
Wolfgang Ablinger-Sperrhacke ..... Wolfgang Capito
Gregory Reinhart ..... Riedinger
Michael Weinius ..... Hans Schwalb
Antoine Garcin ..... Truchsess von Waldburg
Eric Huchet ..... Sylvester von Schaumberg
Melanie Diener ..... Ursula
Martina Welschenbach ..... Regina
Nadine Weissmann ..... Die Gräfin von Helfenstein
Paris Opera Orchestra and Chorus
Labels:
Diener,
Eschenbach,
Goerne,
MacAllister,
ONP,
Py,
Reinhart,
Sperrhacke,
Weitz,
Welschenbach
Sunday, November 14, 2010
Quatuor Ebène, Natalie Dessay, Stacey Kent, Luz Casal
Quatuor Ebène usually end their concerts with something jazzy as an encore, and those improvisations became very popular with fans -- which is why they recently released a CD called Fiction with special appearances of Natalie Dessay [who sings in her normal voice], Stacey Kent, and Luz Casal.
Tomorrow, November 15 @ 20:00 (cet) at Folies Bergère in Paris all these artists will perform with Yours Truly in the audience. Good news is that all of you guys can see and listen to the same concert thanks to the medici.tv portal who will provide live-webcast on this link. It's free but you have to register (if you didn't already).
Tomorrow, November 15 @ 20:00 (cet) at Folies Bergère in Paris all these artists will perform with Yours Truly in the audience. Good news is that all of you guys can see and listen to the same concert thanks to the medici.tv portal who will provide live-webcast on this link. It's free but you have to register (if you didn't already).
Seductive art of noise
Concert: Lachenmann and Bruckner, Salle Pleyel - Paris, November 12 2010
Sylvain Cambreling ..... conductor
Dagmar Becker ..... flute
Frederic Belli ..... trombone
SWR Sinfonieorchester Baden-Baden und Freiburg
Schola Heidelberg
Labels:
Cambreling,
Lachenmann,
SWR
Friday, November 12, 2010
Spectacular evening of belcanto in Paris
Otello (in concert), Théâtre des Champs Elysées - Paris, November 11 2010
Anna Caterina Antonacci, John Osborn, and Dmitry Korchak |
Evelino Pidò ..... conductor
John Osborn ..... Otello
Anna Caterina Antonacci ..... Desdemona
Marco Vinco ..... Elmiro
Dmitry Korchak ..... Rodrigo
Jose Manuel Zapata ..... Iago
José Maria Lo Monaco ..... Emilia
Tansel Akzeybek ..... The Doge of Venice
Anna Caterina Antonacci ..... Desdemona
Marco Vinco ..... Elmiro
Dmitry Korchak ..... Rodrigo
Jose Manuel Zapata ..... Iago
José Maria Lo Monaco ..... Emilia
Tansel Akzeybek ..... The Doge of Venice
Fabrice Constans ..... Lucio
Chorus and Orchestra of Opéra national de Lyon
Chorus and Orchestra of Opéra national de Lyon
Thursday, November 11, 2010
HK Gruber et al. at Cité de la Musique
Das Berliner Requiem, Cité de la Musique - Paris, November 10 2010
Vom Tod im Wald (Kurt Weill)
Busking (Heinz Karl Gruber)
Das Berliner Requiem (Kurt Weill)
HK Gruber ..... conductor
Håkan Hardenberger ..... trumpet
Rainer Trost ..... tenor
Florian Boesch ..... baritone
Orchestre Philharmonique de Radio France
Choeur de Radio France
Busking (Heinz Karl Gruber)
Das Berliner Requiem (Kurt Weill)
HK Gruber ..... conductor
Håkan Hardenberger ..... trumpet
Rainer Trost ..... tenor
Florian Boesch ..... baritone
Orchestre Philharmonique de Radio France
Choeur de Radio France
Ed: on this link you may listen to the recording of this concert
Labels:
Boesch,
Cite de la Musique,
Gruber,
Hardenberger,
Trost,
Weill
Wednesday, November 10, 2010
Salzburg and Chorégie d'Orange 2011
Full schedule with all operas (with all the details), concerts, recitals... for the Summer Festival in Salzburg 2011, are available on the Festival website. Note that you can already place your ticket(s) order. The most (only?) interesting should be The Makropulos Affair -- which I believe is one of the best operas ever. With Marthaler directing, Esa-Pekka conducting, this should be the most important event of the Salzburger Festspiele 2011. OK, Die Frau ohne Schatten should be good too.
On a different front, the Festival in Chorégie d'Orange unveiled their program for 2011. Details can be found on their website. In short, there will be two shows of Aida, two of Rigoletto, and a concert performance of Mahler's 9th.
On a different front, the Festival in Chorégie d'Orange unveiled their program for 2011. Details can be found on their website. In short, there will be two shows of Aida, two of Rigoletto, and a concert performance of Mahler's 9th.
Labels:
Orange 2011,
Salzburg 2011
Tuesday, November 9, 2010
Monde à l'envers de Philipp Stölzl
Philipp Stölzl must be the most suited current director to produce both interesting and loopy show of the Strauss' Fledermaus. Delightfully competent and always inventive artistic management of the Stuttgart Staatsoper recognized that quality in Stölzl, and 10 days ago they premiered their new Fledermaus with Philipp directing.
Unfortunately I won't be able to see the show in this run but we can 'drool' together over the production photos (all Photos © Martin Sigmund) and a video trailer enclosed in this post [also see this review (in German)]
From the new Stuttgart Staatsoper production of Die Fledermaus by Philipp Stölzl. Photo © Martin Sigmund |
Unfortunately I won't be able to see the show in this run but we can 'drool' together over the production photos (all Photos © Martin Sigmund) and a video trailer enclosed in this post [also see this review (in German)]
Ritorna vincitor
Like in 2008 and 2009, this year Szeged (Hungary) hosts an interesting International Opera Competition which has recently been baptized into Armel. The rules are explained well on their website.
In one sentence: After a series of selections, the competing singers who made it to the finals are asked to perform --as cast members-- in one of the 5 specific operas that are being presented these days at Szeged National Theater.
Good thing is that all 5 operas can be seen on the Internet thanks to the world's coolest TV, via its ARTE Live Web portal.
This year's program of the finals with links, looks as follows (all videos are free to see during 3 months following the live broadcast):
In one sentence: After a series of selections, the competing singers who made it to the finals are asked to perform --as cast members-- in one of the 5 specific operas that are being presented these days at Szeged National Theater.
Good thing is that all 5 operas can be seen on the Internet thanks to the world's coolest TV, via its ARTE Live Web portal.
This year's program of the finals with links, looks as follows (all videos are free to see during 3 months following the live broadcast):
- Veslefrikk - opera by Knut Vaage (world creation) [click on the opera title to see the production details and synopsis]; singers competing: Iulia VACARU, Alexander POLKOVNIKOV; live broadcast - November 3, Arte link
- The Servant - opera by Marco Tuttino (also intendant of Teatro Comunale di Bologna); competing: Camille DEREUX, Peter FURLONG, Alexey BOGDANCHIKOV; live broadcast - November 6, Arte link
- La Traviata - competing: Maria PAKHAR, Péter BALCZÓ, Sergio FORESTI; live broadcast - November 9, Arte link
- The Seagull - opera by Thomas Pasatieri; competing: Molly MUSTONEN, Zsolt HAJA, Beverly O’REGAN THIELE; live broadcast - November 12, Arte link
- The Fiery Angel - opera by Sergei Prokofiev; competing: Christina BAGGIO, Antal Cseh; live broadcast - November 15, Arte link
Sunday, November 7, 2010
We will barock you (4): Bravissima Dorinda
Orlando, Théâtre des Champs Elysées - Paris, November 3 2010
Wonderful Lucy Crowe as Dorinda |
David McVicar ..... director
Emmanuelle Haïm ..... conductor
Sonia Prina ..... Orlando
Henriette Bonde-Hansen ..... Angelica
Stephen Wallace ..... Medoro
Lucy Crowe ..... Dorinda
Nathan Berg ..... Zoroastro
Le Concert d'Astrée
Emmanuelle Haïm ..... conductor
Sonia Prina ..... Orlando
Henriette Bonde-Hansen ..... Angelica
Stephen Wallace ..... Medoro
Lucy Crowe ..... Dorinda
Nathan Berg ..... Zoroastro
Le Concert d'Astrée
Bad boys getting tired
Les grandes voix: Bryn Terfel, Salle Pleyel - Paris, November 5 2010
Bryn Terfel - recital "Bad Boys"
Münchner Rundfunkorchester
Canzonetta Chamber Choir
Gareth Jones ..... conductor
Canzonetta Chamber Choir
Gareth Jones ..... conductor
Friday, November 5, 2010
Nouvelles productions en Europe (novembre 2010)
As for the new productions in Europe this November, I believe we could expect the most from (opening date indicated)
but we should try and follow the other interesting creations such as
- Fri 12: La finta giardiniera at Theater an der Wien [dir-David Alden, cnd-René Jacobs] with Sophie Karthäuser, Topi Lehtipuu, Marie-Claude Chappuis, Alexandrina Pendatchanska, Sunhae Im
- Sat 13: Guillaume Tell at Opernhaus Zürich [dir-Adrian Marthaler, cnd-Thomas Hengelbrock] with Antonino Siragusa, Michele Pertusi, Eva Mei, Benjamin Bernheim...
- Tue 16: Mathis der Maler at Opéra Bastille in Paris [dir-Olivier Py, cnd-Christoph Eschenbach] with Scott MacAllister, Matthias Goerne, Burkhart Fritz, Wolfgang Ablinger-Sperrhacke, Melanie Diener...
- Thu 18: Adriana Lecouvreur at Royal Opera House in London [dir-David McVicar, cnd-Mark Elder] with Angela Gheorghiu, Jonas Kaufmann, Michaela Schuster, Alessandro Corbelli
- Fri 19: Rise and Fall of the City of Mahagonny at Théâtre du Capitole in Toulouse [dir-Laurent Pelly, cnd-Ilan Volkov] with Valentina Farcas, Nikolai Schukoff, Marjana Lipovsek, Chris Merrit, Gregg Baker, Tommi Hakala
- Sat 20: Iphigénie en Aulide at Oper Leipzig [dir-Peter Konwitschny, cnd-Paolo Carignani] with Manuela Uhl...
- Fri 26: Die tote Stadt at FNO in Helsinki [dir-Kasper Bech Holten,cnd-Mikko Franck] with Klaus Florian Vogt, Camilla Nylund, Markus Eiche
but we should try and follow the other interesting creations such as
Wednesday, November 3, 2010
Le Nozze di Figaro from Opéra Bastille on TV - "Pointless Nostalgic" (?)
I very much like Jamie Cullum, but this post is not about this kind of Pointless Nostalgic. It's about a (pointless?) nostalgic production of Le Nozze di Figaro that will be (almost) live TV-broadcast from Opéra Bastille tonight, Wednesday - November 3rd, at 20:35 (cet) on France3.
It is a revival of the 37 years old production by Giorgio Strehler, which had been thrown out ~10 years ago, replaced by a new production mounted by Christophe Marthaler, that in turn is now being replaced by this revamped ancient show -- even though its creator is RIP [decors recovered from its debris hidden in the dumpsters of La Scala!] This move by the new artistic direction of the Paris Opera is now very much debated in France: praised by ones and criticized by others.
In any case the cast is good: Ludovic Tézier (Il Conte di Almaviva), Barbara Frittoli (La Contessa), Ekaterina Siurina (Susanna), Luca Pisaroni (Figaro), Karine Deshayes (Cherubino), Ann Murray (Marcellina), Robert Lloyd (Bartolo), Robin Leggate (Don Basilio), Maria Virginia Savastano (Barbarina), and the conductor is Philippe Jordan.
More production photos and "Voi che sapete"-video as an avant-gout are appended below.
It is a revival of the 37 years old production by Giorgio Strehler, which had been thrown out ~10 years ago, replaced by a new production mounted by Christophe Marthaler, that in turn is now being replaced by this revamped ancient show -- even though its creator is RIP [decors recovered from its debris hidden in the dumpsters of La Scala!] This move by the new artistic direction of the Paris Opera is now very much debated in France: praised by ones and criticized by others.
Deshayes, Frittoli and Siurina [all photos are © Fred Toulet]. |
More production photos and "Voi che sapete"-video as an avant-gout are appended below.
Ah Rusalka (2): Tutti Bravi!
Rusalka, BSO Munich, October 31 2010
Nadia Krasteva, Kristien Opolais, and Klaus Florian Vogt |
Production ..... Martin Kušej
Conductor ..... Tomáš Hanus
The Princ ..... Klaus Florian Vogt
The Foreign Princess ..... Nadia Krasteva
Rusalka ..... Krístīne Opolaís
Vodnik ..... Günther Groissböck
Ježibaba ..... Janina Baechle
Gamekeeper ..... Ulrich Reß
Kitchen Boy ..... Tara Erraught
1st Wood Sprite ..... Evgeniya Sotnikova
2nd Wood Sprite ..... Angela Brower
3rd Wood Sprite ..... Okka von der Damerau
Hunter ..... John Chest
The Bavarian State Orchestra
The Chorus of the Bavarian State Opera
Here are the links to the files of the radio broadcast of one of the shows at BSO: part-1 and part-2.
I'll remove them in a week from now.
Tuesday, November 2, 2010
Ah Rusalka (1): Mĕsíčku, nezhasni!
Why I like Rusalka? I like romantic operas, and this is arguably the best romantic opera not composed by Wagner. Written in the best wagnerian tradition it brought in a new quality, Slavic sensibility. Its libretto is based on a legend about Rusalki -- a Slavic equivalent to mermaids, nymphs, Undine... Its lyricism reminds us of Lohengrin but the symmetry of its libretto is close to that of Tannhäuser.
The Prince and The Foreign Princess (Klaus Florian Vogt and Nadia Krasteva) |
Frankfurter Walküre by Vera Nemirova
New production of Die Walküre opened last Sunday at Oper Frankfurt. After the rave reviews for her production of Rheingold past Spring, I am more than glad to see the press complimentary after seeing the Vera Nemirova's staging of the Walküre (after her sloppy Lulu in Salzburg).
A very good cast apparently lived up to high expectations and delivered a very good performance.
In particular Eva Maria Westbroek and Frank van Aken --who're a married couple in real life-- were excellent as Sieglinde and Siegmund.
The action takes place on a big dish of three concentric rings which can be ex-centered in many different ways, thus opening a spectrum of possibilities for Nemirova to play with multiple allegoric meanings of this superb opera.
I am sorry for not being able to see this opera cake, but I hope 'to taste' sometimes next year.
Appended below: more production photos [all © Monika Rittershaus] and a video.
Sieglinde and Siegmund - Eva Maria Westbroek and Frank van Aken |
A very good cast apparently lived up to high expectations and delivered a very good performance.
In particular Eva Maria Westbroek and Frank van Aken --who're a married couple in real life-- were excellent as Sieglinde and Siegmund.
The action takes place on a big dish of three concentric rings which can be ex-centered in many different ways, thus opening a spectrum of possibilities for Nemirova to play with multiple allegoric meanings of this superb opera.
I am sorry for not being able to see this opera cake, but I hope 'to taste' sometimes next year.
Appended below: more production photos [all © Monika Rittershaus] and a video.
Labels:
Nemirova,
Oper Frankfurt,
Weigle
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