Showing posts with label Kerl. Show all posts
Showing posts with label Kerl. Show all posts
Sunday, July 10, 2011
Samson et Dalila on DVD
Labels:
DVD,
Faveyts,
Kerl,
Mijailovic,
Netopil,
Nitzan,
Nizar Zuabi,
Tarasova,
Vlaamse Opera
Tuesday, June 14, 2011
Twilight of The Paris Ring
(Die) Götterdämmerung [Le crépuscule des dieux], Opéra Bastille in Paris, June 3 2011
Director ..... Günter Krämer
Conductor ..... Philippe Jordan
Torsten Kerl ..... Siegfried
Iain Paterson ..... Gunther
Peter Sidhom ..... Alberich
Hans-Peter König ..... Hagen
Katarina Dalayman ..... Brünnhilde
Christiane Libor ..... Gutrune, 3rd Norn
Sophie Koch ..... Waltraute
Nicole Piccolomini ..... 1st Norn, Flosshilde
Caroline Stein ..... Woglinde
Daniela Sindram ..... Wellgunde
Orchestre et Choeur de l’Opéra national de Paris
Monday, March 21, 2011
Siegfried in Paris on weed
Siegfried, Opéra Bastille in Paris, March 6 2011
Günter Krämer ..... Director
Philippe Jordan ..... Conductor
Torsten Kerl, Christian Voigt ..... Siegfried
Wolfgang Ablinger-Sperrhacke ..... Mime
Juha Uusitalo, Egil Silins ..... Der Wanderer
Peter Sidhom ..... Alberich
Stephen Milling ..... Fafner
Qiu Lin Zhang ..... Erda
Elena Tsallagova ..... Waldvogel
Brigitte Pinter, Katarina Dalayman ..... Brünnhilde
Paris Opera Orchestra
Wednesday, February 3, 2010
Brilliant production of Rienzi in Berlin
What a way to begin 2010! First there was The Fairy Queen which instantly blew me away. Then K und K (for Koch & Kaufmann) slammed us with unbelievably emotional Werther. Plus I liked the witty way Mussbach brought to life Norma, and finally my dream to see a well-done staged version of Rienzi came true...
As I said it before, this was my first Rienzi ever and I loved it.
As I said it before, this was my first Rienzi ever and I loved it.
Conductor Sebastian Lang-Lessing
Director Philipp Stölzl
Choir Conductor William Spaulding
Rienzi Torsten Kerl
Irene Camilla Nylund
Steffano Colonna Ante Jerkunica
Adriano Kate Aldrich
Paolo Orsini Krzysztof Szumanski
Cardinal Orvieto Lenus Carlson
Baroncelli Clemens Bieber
Cecco del Vecchio Stephen Bronk
Director Philipp Stölzl
Choir Conductor William Spaulding
Rienzi Torsten Kerl
Irene Camilla Nylund
Steffano Colonna Ante Jerkunica
Adriano Kate Aldrich
Paolo Orsini Krzysztof Szumanski
Cardinal Orvieto Lenus Carlson
Baroncelli Clemens Bieber
Cecco del Vecchio Stephen Bronk
Saturday, January 30, 2010
Rienzi in Berlin: hot impressions
Just a "quick" post about the second show of Rienzi , finished an hour ago at the Deutsche Oper Berlin. This was my first Rienzi ever and I loved it.
Torsten Kerl proves once again that he is truly excellent a singers/actor - and trust me, Rienzi is a very devillish role to sing (I bet Ben Heppner --who screwed up Lohengrin last night-- would not be able to sing a third of it). BRAVO!
Camilla Nylund was on one of her good nights although the volume is not her forte (which we already noticed in Paris when she was miscast as Salome). Since tonight`s was a high profile show she was only mildly booed, but the bravos were much-much louder. ;)
Kate Aldrich literally stole the show. That girl had to really dig deep to deliver such a level of intensity in an otherwise unsingable role of Adriano. Impressive effort from this "small" lady and well deserved standing O for her at the end of the show.
Someone should say to Sebastian Lang-Lessing that this production is not about him, nor about the orchestra only; and that he could show some more respect for singers (instead of covering them!). Other than that - a magnificent orchestra lead by an energetic young maestro.
Philipp Stölzl, as expected, soaked a load of boos which I of course disagreed with. I thought the show was brilliant and the director`s interpretation was...err..., say, gutsy. I could understand the boos though: Philipp didn`t leave any space to ambiguities --> his Rienzi is a nasty SOB, a dictator who deserved to end the way he did...Personally, I take my hat off to him for that ;)
As for the best choir in Germany, tonight they were the best choir in the world - and I am not exaggerating ;)
Torsten Kerl proves once again that he is truly excellent a singers/actor - and trust me, Rienzi is a very devillish role to sing (I bet Ben Heppner --who screwed up Lohengrin last night-- would not be able to sing a third of it). BRAVO!
Camilla Nylund was on one of her good nights although the volume is not her forte (which we already noticed in Paris when she was miscast as Salome). Since tonight`s was a high profile show she was only mildly booed, but the bravos were much-much louder. ;)
Kate Aldrich literally stole the show. That girl had to really dig deep to deliver such a level of intensity in an otherwise unsingable role of Adriano. Impressive effort from this "small" lady and well deserved standing O for her at the end of the show.
Someone should say to Sebastian Lang-Lessing that this production is not about him, nor about the orchestra only; and that he could show some more respect for singers (instead of covering them!). Other than that - a magnificent orchestra lead by an energetic young maestro.
Philipp Stölzl, as expected, soaked a load of boos which I of course disagreed with. I thought the show was brilliant and the director`s interpretation was...err..., say, gutsy. I could understand the boos though: Philipp didn`t leave any space to ambiguities --> his Rienzi is a nasty SOB, a dictator who deserved to end the way he did...Personally, I take my hat off to him for that ;)
As for the best choir in Germany, tonight they were the best choir in the world - and I am not exaggerating ;)
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