Crummy Berlioz

Benvenuto Cellini is an opera that can be considered interesting because it shows a starting point to what would Berlioz's genius become 20 years later. Other than that, the opera is not really very interesting. OK, there are bits and pieces that are likable but overall it's long-winded and clumsily constructed: the drama isn't really taking off, while its comic part is desperately not funny. 

Happily Berlioz realized right after this opera that his language to touch the dramatic cord with the audience is music more than anything, and only a year later he composed his wonderful semi-opera Romeo et Juliette -- much-much better than Benvenuto Cellini. 

So if you're Berlioz fan and you take Benevenuto Cellini for what it is --an exercise, a building block in the learning process of young Berlioz, then you can give this DVD a try.  Otherwise you should keep in mind that life is short, and that there are so many other DVDs to see, books to read...  ;)

Brilliant production of Rienzi in Berlin

What a way to begin 2010! First there was The Fairy Queen which instantly blew me away. Then  K und K (for Koch & Kaufmann) slammed us with unbelievably emotional Werther. Plus I liked the witty way Mussbach brought to life Norma, and finally my dream to see a well-done staged version of Rienzi came true...

As I said it before, this was my first Rienzi ever and I loved it.

Conductor  Sebastian Lang-Lessing
Director Philipp Stölzl
Choir Conductor William Spaulding

Rienzi Torsten Kerl
Irene Camilla Nylund
Steffano Colonna  Ante Jerkunica
Adriano  Kate Aldrich
Paolo Orsini Krzysztof Szumanski
Cardinal Orvieto  Lenus Carlson
Baroncelli  Clemens Bieber
Cecco del Vecchio  Stephen Bronk 

Rienzi in Berlin: hot impressions

Just a "quick" post about the second show of Rienzi , finished an hour ago at the Deutsche Oper Berlin. This was my first Rienzi ever and I loved it.
  

Torsten Kerl proves once again that he is truly excellent a singers/actor - and trust me, Rienzi is a very devillish role to sing (I bet Ben Heppner --who screwed up Lohengrin last night-- would not be able to sing a third of it). BRAVO!

Camilla Nylund was on one of her good nights although the volume is not her forte  (which we already noticed in Paris when she was miscast as Salome). Since tonight`s was a high profile show she was only mildly booed, but the bravos were much-much louder. ;)

Kate Aldrich literally stole the show. That girl had to really dig deep to deliver such a level of intensity in an otherwise unsingable role of Adriano. Impressive effort from this "small" lady and well deserved standing O for her at the end of the show.

Someone should say to Sebastian Lang-Lessing that this production is not about him, nor about the orchestra only; and that he could show some more respect for singers (instead of covering them!). Other than that - a magnificent orchestra lead by an energetic young maestro.

Philipp Stölzl, as expected, soaked a load of boos which I of course disagreed with. I thought the show was brilliant and the director`s interpretation was...err..., say, gutsy. I could understand the boos though: Philipp didn`t leave any space to ambiguities --> his Rienzi is a nasty SOB, a dictator who deserved to end the way he did...Personally, I take my hat off to him for that ;)

As for the best choir in Germany, tonight they were the best choir in the world - and I am not exaggerating ;)