Showing posts with label Petibon. Show all posts
Showing posts with label Petibon. Show all posts

Monday, March 19, 2012

Don Giovanni in Paris: Peter Mattei, Bernard Richter, Philippe Jordan... and übertalented Michael Haneke

Don Giovanni, Opéra Bastille in Paris, March 15 2012

Bernard Richer, Véronique Gens, Peter Mattei, Philippe Jordan, Patricia Petibon, David Bizic


Michael Haneke ..... director
Philippe Jordan ..... conductor


Peter Mattei ..... Don Giovanni
Paata Burchuladze ..... Il Commendatore
Patricia Petibon ..... Donna Anna
Bernard Richter ..... Don Ottavio
Véronique Gens ..... Donna Elvira
David Bizic ..... Leporello
Nahuel Di Pierro ..... Masetto
Gaëlle Arquez ..... Zerlina

Orchestre et choeur de l'Opéra national de Paris

Friday, January 6, 2012

Mitridate, Rè di Bavaria

Mitridate, rè di Ponto, Bayerische Staatsoper in Munich, July 25 2011


Extraordinary Lawrence Zazzo as Farnace in the David Bösch production of Mitridate, rè di Ponto



Director ..... David Bösch 
Conductor ..... Ivor Bolton

Mitridate ..... Barry Banks
Aspasia ..... Patricia Petibon
Sifare ..... Anna Bonitatibus
Farnace ..... Lawrence Zazzo
Ismene ..... Lisette Oropesa
Marzio ..... Alexey Kudrya
Arbate ..... Eri Nakamura

The Bavarian State Orchestra


Thursday, August 12, 2010

Salzburg 2010: Why did Lulu sink!?

Lulu, August 11 2010, Felsenreitschule Salzburg


Patricia Petibon in Act-3 of Lulu in Salzburg



Marc Albrecht ..... Conductor
Vera Nemirova ..... Stage Director
Daniel Richter ..... Set Design


Patricia Petibon ..... Lulu
Tanja Ariane Baumgartner, Countess Geschwitz
Cora Burggraaf ..... A Theatrical Dresser, A High-School Boy, A Groom
Pavol Breslik ..... The Painter, A Negro
Michael Volle ..... Dr. Schön, Jack
Thomas Piffka ..... Alwa, Dr. Schön's son, a composer
Franz Grundheber ..... Schigolch, an old man
Thomas Johannes Mayer ..... An Animal Tamer, An Athlete
Heinz Zednik ..... The Prince, The Manservant
Andreas Conrad ..... The Marquis
Martin Tzonev ..... The Theater Manager, The Banker
Emilie Pictet ..... A Fifteen-year-old Girl
Cornelia Wulkopf ..... Her Mother
Astrid Monika Hofer ..... A Woman Artist
Simon Schnorr ..... A Journalist
Gerhard Peilstein ..... The Professor of Medicine, The Professor, The Police Officer
James Cleverton ..... A Servant


Vienna Philharmonic

Thursday, August 5, 2010

Salzburg 2010: Lulu, Richter...

Even though it's not my first trip to Salzburger Festspiele I'm getting increasingly excited [taking off tomorrow]  ;)

The reason?! You might have already noticed that I'm an admirer of fine art -- I try and find the stuff I like in any style but I most resonate with modern and contemporary art -- so the program in Salzburg this year looks like a perfect hit to me: Daniel Richter created the sets for Lulu, and Jonathan Meese for Dionysus. Now combine these creations with live theater and a good/dramatic opera, and you get my dream-Lulu.

Cut from "Daily": Patricia Petibon and Vera Nemirova after the premiere of Lulu

I tried not to read any review about Lulu, to keep my enthusiasm [and potential surprises] intact. I did, however, google about Daniel Richer and came across the following video:

Monday, March 22, 2010

Olivier Py recounts masterfully Les Contes d'Hoffmann

This DVD is a recording of the much praised Olivier Py's revisited production of Les Contes d'Hoffmann, shown last year in Geneva. I saw it only now, on DVD, and I can understand the rave reviews the production received from both the critics and the general audience.


It is a very traditional theatrical style but it is very well done. If you already experienced one or more productions directed by Olivier Py, you will recognize his peculiar manner to organize the sets through a system of moving scaffoldings, a structure that allows him to quickly change the scene and avoid any slowdown of the dramatic action. His clever way to fit the scene transformations with the text result in a flawless flow of the show. The traditionalists may be upset by Olivier's aesthetics, but they will be more than happy to see that he never drifts away from Jules Barbier's libretto. Personally, this is the only aspect of this show I don't fully appreciate -- lack of the surprising element.

Sunday, February 7, 2010

¿Qué pasa en otra parte?

I've been enjoying immensely the Barenboim concerts with his Staatskapelle these days at Pleyel. Today is the 3rd out of 5.

Meanwhile, great things are happening on the European Operatic Stages...