Mussbach gives an intelligent new look to Norma at the Théâtre du Châtelet

The second viewing of Mussbach's production of  Norma in Châtelet is far more revelatory than the first one. The effect of surprise is now mostly gone and you start tackling deeper the director's ideas. Since being analytic is my job, it's normal that this side of me eventually defines my interaction with this production.

Mira Norma, Paulina Pfeiffer steals the show

We're being really spoiled this January in Paris. Tonight (errr... last night - January 18), we had one more premiere: this time it was a brand new production of Norma in Théâtre du Châtelet.

The director, Peter Mussbach, threw in a clever concept to make this mediocre libretto acceptable to the 21st century audience. He, of course, got booed at the end by the crowd of belcanto aficionados. Like I always say,  good theater shakes up habits and it must be booed by some :)

Apart from the clever staging, a big winner of the evening was Paulina Pfeiffer, yet another superbly singing Swede who we discovered tonight in a wonderful Adalgisa. Next big dramatic mezzosoprano to follow! Lina Tetriani also stands out with her well sung and convincing Norma.