When can you tell CD is dead?

When you see exposed --at the central part of the Classical Music section of the FNAC in Paris [Les Halles]--  Katherine Jenkins' new CD and/or Carmen with Andrea Bocelli.

It was bound to happen with all kinds of digital supports developed over the past decade, with more and more of us interested in pure-unedited sound (instead of ironed, filtered, edited, equalized... recording that rarely reflects the sound we get in theater), and finally reconciling opera with what it should be: image with sound.