Fallen Masks on the Rhine: David McVicar completes his Ring in Strasbourg

Götterdämmerung, Opéra National du Rhin (ONR) in Strasbourg, February 25 2011

The Mask of Erda -- in front of the ONR in Strasbourg

Director ..... David McVicar

Conductor ..... Marko Letonja

Siegfried ..... Lance Ryan

Hagen ..... Daniel Sumegi

Gunther ..... Robert Bork

Alberich ..... Oleg Bryjak

Brünnhilde ..... Jeanne-Michèle Charbonnet

Gutrune ..... Nancy Weissbach

Waltraute ..... Hanne Fischer

First Norn ..... Sara Fulgoni

Second Norn ..... Hanne Fischer

Third Norn ..... Nancy Weissbach

Woglinde ..... Anaïs Mahikian

Wellgunde ..... Kimy McLaren

Flosshilde ..... Carolina Bruck-Santos

Orchestre philharmonique de Strasbourg

Chorus of l'Opéra national du Rhin

Hérodiade - part deux

Hérodiade, Vlaamse Opera in Ghent, February 13 2011

conductor ..... Dmitri Jurowski
director ..... Joachim Schlömer


Salomé ..... Carmen Giannattasio
Jean ..... Zoran Todorovich
Hérode ..... Philippe Rouillon
Hérodiade ..... Julia Gertseva
Phanuel ..... Petri Lindroos
Vitellius ..... Igor Bakan
Jeune Babylonienne ..... Julianne Gearhart
Le grand Prêtre ..... Thierry Vallier
Le grand PrêtreGuido Verbelen
Animaux/Dancers ..... Anna Tenta and Slawek Bendrat

Chorus and Orchestra of the Flanders Opera

Hérodiade and the 19th century French repertoire

I decided to split the discussion about Hérodiade in two parts: (1) As this opera is in a bulk of 19th century French operas, I think it is the right moment to throw in a couple of paragraphs about my observations concerning the perception of this genre in France today; (2) A short review of the wonderfully successful new production of Hérodiade presented at the Flanders Opera (Vlaamse Opera).

I believe one could even make an interesting social study about the cultural diversity in France from this little cultural corner that mixes creative art and national heritage -- 19th century operas. Don't worry! This is not what I intent to do here ;)
If I was to paint a black-and-white picture about the relation between the French public today and the 19th century French operas, the critics would have called it schizophrenic. Below I explain why.

Rusalka, Tannhäuser and Faust

A scene from Rusalka at Komische Oper in Berlin (photo ©KOB)

Barrie Kosky presented his new production of Rusalka at the Komische Oper in Berlin.
[Super-duper talented Patrick Lange conducted!] Here is a trailer for us to drool (OK, not quite -- I went to see a superb production of Hérodiade in Ghent -- that I'll post about tomorrow)

Last week on ARTE Lounge...

... René Pape was a guest and he sang Abendlich strahlt der Sonne Auge (from Das Rheingold) and Some enchanted evening (from South Pacific?)

Video appended below:

You like Ligeti, Varèse, Lutoslawski, Saariaho, Salonen? Here is something for you!

One thing that amazes everyone visiting Paris or staying a bit longer à Paname is that feeling that the culture is still considered to be of vital importance for the city and its people. Public money is invested in all kinds of interesting projects that aim at popularizing art and support creativity.

It is not  functioning perfectly as a system, but it is fascinating when you see that such a noble intention actually works well. A perfect example is La Cité de la Musique --not surprisingly, a project initiated and promoted by Pierre Boulez-- with its numerous activities, symposiums, seminars, concerts, freely accessible media library, many outreach activities catalyzing contacts with youngsters from all social layers. As a classical music aficionados, you cannot resist it as the whole complex breathes love for music and desire to share it through all the activities proposed there. This are counter-examples to that of La Cité de la Musique where you can see the tax-payers' money generously used to entertain a small group of people, without creating anything artistic or/and new.

Since I prefer to keep it positive here, I thought I should mention another significant positive example: just finished "Festival Présences", that was in fact a series of Top-class concerts thematically revolving around Esa-Pekka Salonen.

He and several other invited conductors, together with  Orchestre Philharmonique de Radio France (OPRF), performed music composed by Salonen and by composers who highly influenced and inspired Salonen's creativity. All concerts were organized at Théâtre du Châtelet (always beautiful a place to visit), and they all were free (!) Isn't this just a dreamlike way to popularize contemporary music?!

Since I was insanely busy during the past few weeks and so had to skip the Festival altogether, I was happy to discover that Arte Live Web (don't you love them too!) joined the project and provided live broadcast from Théâtre du Châtelet of four Festival concerts, all conducted by Esa-Pekk. They are now available for free viewing and they will remain free for the next 5-6 months. Below are the links to videos with the programs. Enjoy!

Melanie Diener kills Fidelio

Fidelio (in concert), Théâtre des Champs Elysées in Paris, February 21 2011

Kurt Masur

Kurt Masur ..... conductor

Melanie Diener ..... Leonore

Burkhard Fritz ..... Florestan

Matthias Goerne ..... Pizzaro

Kurt Rydl ..... Rocco

Sophie Karthäuser ..... Marzelline

Werner Güra ..... Jaquino

Bálint Szabó ..... Fernando

Orchestre National de France and Choeur de Radio France

The Fairy Queen at Cité-μ

The Fairy Queen, Cité de la Musique in Paris, February 15 2011

Philip Pickett ..... conducting

Mauricio Garcia Lozano ..... director

Joanne Lunn ..... soprano

Dana Marbach ..... soprano

Faye Newton ..... soprano

Christopher Robson ..... countertenor

Tim Travers-Brown .... countertenor

Ed Lyon ..... tenor

Joseph Cornwell ..... tenor

Michael George ..... bass-baritone

Simon Grant ..... bass-baritone

New London Consort

Betrothal at Opéra Comique

Betrothal in a Monastery/Les Fiançailles au couvent/Обручение в монастыре, Opéra Comique in Paris, February 3 2011

Larissa Diadkova, Tugan Sokhiev, and Mikhail Kolelishvili

Director ..... Martin Duncan

Conductor ..... Tugan Sokhiev

Don Jérôme ..... Brian Galliford

Ferdinand ..... Garry Magee

Louisa ..... Anastasia Kalagina

The Duenna ..... Larissa Diadkova

Antonio ..... Daniil Shtoda

Clara d’Almanza ..... Anna Kiknadze

Mendoza ..... Mikhail Kolelishvili

Don Carlos ..... Yuri Vorobiov

Father Augustin .....Eduard Tsanga

Brother Elustaf ..... Vasily Efimov

Brother Chartreuse ..... Marek Kalbus

Brother Benedictine ..... Mischa Schelomianski

Lauretta ..... Eleonora Vindau

Orchestre et Chœur du Capitole de Toulouse

Jansons and the Royal Concertgebouw Orchestra at Pleyel

Salle Pleyel - Paris, February 14 2011

 You know you are insanely busy when you miss the first half of the year's best concert with the world's best orchestra conducted by the best conductor, accompanying the best pianist -- and the concert occurs in  the city you live...

The Royal Concertgebouw Orchestra and Maestro Mariss Jansons

So I missed Leif Ove Andsnes, and I'm really sorry for that, but I am still thrilled to be able to listen to the Royal Concertgebouw Orchestra taking the best of the Beethoven's 7th under his greatness, Mariss Jansons. Blogging from la Salle Pleyel...
--
What they do is just a whole level above any other orchestra today. Only the Bavarian Radio Symphony Orchestra gets close, even if not quite up there.

The only thing that comes to mind after such a great concert is one big Thank you!

Bronfman, Staatskapelle, and Mr. Barenboim at Pleyel

Staatskapelle Berlin - Daniel Barenboim - Yefim Bronfman, Salle Pleyel in Paris, February 6 2011

Castellucci's Parsifal in Brussels

Parsifal, La Monnaie/De Munt in Brussels, January 30 2011

Opening scene -- seen during the overture of Castellucci's Parsifal in Brussels

Music direction ..... Hartmut Haenchen
Director ..... Romeo Castellucci
Choreography ..... Cindy Van Acker
Bondage artist ..... Dasniya Sommer

Amfortas ..... Thomas Johannes Mayer
Titurel ..... Victor von Halem
Gurnemanz ..... Jan-Hendrik Rootering
Parsifal ..... Andrew Richards
Klingsor ..... Tómas Tómasson
Kundry ..... Anna Larsson
Vier Knappen ..... Ilse Eerens
Angélique Noldus
Gijs Van der Linden
Guillaume Antoine
Klingsors Zaubermädchen ..... Hendrickje Van Kerckhove
Anneke Luyten
Angélique Noldus
Ilse Eerens
Tineke Van Ingelgem
Margriet van Reisen
Stimme aus der Höhe ..... Anna Larsson


La Monnaie Symphony Orchestra, Chorus and Youth Chorus

"Tout art doit être dérangeant."

Romeo Castellucci

To see

[Sorry guys -- too busy these days.]

 

Three interesting operas to see within next 10 days on Mezzo-TV:

1. Alcina from Vienna, that we got to see in Paris in concert, was filmed in Vienna and it will be broadcast tomorrow, February 8 at 20:30 (cet)
   dir-Adrian Noble, cnd-Marc Minkowski, cast: Anja Harteros, Veronica Cangemi, Vesselina Kasarova, Kristina Hammarström, Benjamin Bruns, Adam Plachetka
   
   
2. Giulio Cesare from Opéra Garnier in Paris will be on Mezzo-TV next Saturday, February 12 at 20:30 (cet)
   
   dir-Laurent Pelly, cnd-Emmanuelle Haïm, cast: Lawrence Zazzo, Natalie Dessay, Isabel Leonard, Christophe Dumaux, Varduhi Abrahamyan, Nathan Berg, Dominique Visse, Aimery Lefèvre
   
   
   
3. Francesca da Rimini  from Opéra Bastille in Paris will be live broadcast on Wednesday, February 16 at 19:30 (cet)
   dir-Giancarlo Del Monaco, cnd-Daniel Oren, cast: Svetla Vassilieva, Roberto Alagna, William Joyner, George Gagnidze, Wojtek Smilek, Louise Callinan...

Bobby is apparently in top form vocally and after 7 years of absence from the Paris Opera he's back, in the role of Paolo [Francesca da Rimini] in the production that apparently received a cascade of boos after the premiere. After the atrocious production of Andrea Chénier last year, I obviously would not pay to see any opera "directed" by Giancarlo del Monaco anymore, but since it goes on TV I may give it a try.
 
Do subscribe to Mezzo-TV if you possibly can. It's not expensive at all, the program they offer is really great (opera, concerts -- as well as jazz, if you like it), and they need subscribers to keep doing such a great job as they did thus far.


And last but not least, there is a video available for free viewing of the entire closing concert of the Folle Journée de Nantes,  in the last part of which you may find a superb Olga Peretyatko singing Vier Letzte Lieder [starting from the 1:03:50 mark in the video appended below]

New productions in February

Not many new productions will be premiered in February, but we can still expect some high quality new shows.

David Mc Vicar [a.k.a. Mr. Hyperproductive] will complete his Ring in Strasbourg and that should be the most significant new event this month, together with an intriguing new opera in London produced by always profound and positively "weird" Richard Jones, as well as the new Guth-project that will be unveiled in Barcelona. More specifically,

• Feb 25 at ONR in Strasbourg: Götterdämmerung [dir-David Mc Vicar, cnd-Marko Letonja] with Lance Ryan, Jeanne-Michèle Charbonnet, Daniel Sumegi, Ann Petersen, Oleg Bryjak...
• Feb 17 at ROH in London: Anna Nicole [dir- Richard Jones, cnd- Antonio Pappano] with Eva-Maria Westbroek, Gerald Finley... (see trailer)
• Feb 20 at GTL in Barcelona: Parsifal [dir- Claus Guth, cnd- Michael Boder] with Klaus Florian Vogt/Christopher Ventris, Anja Kampe/Evelyn Herlitzius, Alan Held/Boaz Daniel, Hans-Peter König/Eric Halfvarson

New Rusalka, directed by Barrie Kosky in Berlin, could be great. Belcanto fans will be waiting for new Norma in Zurich with Elena Mosuc and Vittorio Grigolo as Pollione (?!)

Besides the above 3, a list of new productions also includes [ordered chronologically according to their premieres]:

Paris in February

A selection of events (classical music and opera) to see in Paris - February 2011.

Best of 2010 (3): Singers

This blog is my modest opera/concerts "diary" that somehow got to be read by many and I thank you all for that.

As you may have noticed I mostly try to talk about things I like --instead of dwelling on stuff I dislike -- except, of course, when it's unavoidable (or for defining purposes). Rarely but I do sometimes trash the lazy/'untalented' directors, and my reason is quite simple: money is tight today, waste it on no-concept, no-idea, on nothing creative, or stale theater...  is irresponsible -- it harms opera, it wastes our time, and often insults our intelligence. Happily that happens very seldom as I am more experienced in picking good and interesting shows to see.

All photos in the above collage were taken by Yours Truly

With singers the story is more difficult as we are living in an era of many-many gifted performers who besides their beautiful voices and fantastic vocal techniques, also excel as actors.

I've tried to post my Best of 2010 several times and each time I felt I was unfair to many brilliant singers - especially when I'd made a too extensive list (with more than 15 names.)

Finally, after restraining my discussion to the least possible number of those who I thought delivered extraordinary stuff in 2010 (either on an operatic stage or in a concert hall), I ended up with...

La Monnaie Parsifal - and now for something completely different

Will hopefully blog more tomorrow about the show (if not then on Tuesday). Singing was as awesome as I expected it to be since three from my short list of the most remarkable singers in 2010 participated in this show (A.Richards, T.J. Mayer, and T. Tómasson), joined by a superb Kundry sung by Anna Larsson. Maestro and the orchestra - terrific!

How to produce a relevant Parsifal after the shows by Herheim, Warlikowski, and Bieito? Well, ask Romeo Castellucci!

It is COMPLETELY different with respect to anything you've seen before. You have to see the show yourselves to make your own idea on what you think it is. Of course I will try and put in words what and how I saw it.

But before I get to that I must say that the second act of this show contains all the elements of good contemporary theater - something that will be remembered as theater circa 2010. It's a truly monumental piece of work that I wholeheartedly recommend to anyone to see. I am obviously thrilled to see that this theatrical form found its way to opera so soon.

Had a great seat but the pics I took aren't any good. Sorry! Above: Thomas Johannes Mayer, Anna Larsson, Hartmut Haenchen [take this Christian Thielemann! :)], Andrew Richards, Jan-Hendrik Rootering

The finale of this production however rubbed me the wrong way: climax is missing... the show ends "unspectacularly". I tried to spin and argue that it represents humanity in a hypnotic walk, a collection of individuals wandering aimlessly (which the postmodern society indeed is starting to look like), so it is natural that it ends... lost in space... wandering. Fine, but how do you reconcile that with the music? This lead me to believe that something's been cut out from the final act during the process of mounting this production.

Other than that, AWESOME SHOW!

Il barbiere di Parigi

Il barbiere di Siviglia, Théâtre du Châtelet in Paris, January 26 2011

Three protagonists of the show in Paris

Director ..... Emilio Sagi
Conductor ..... Jean-Christophe Spinosi

Il conte d'Almaviva ..... Bogdan Mihai
Figaro ..... Bruno Taddia
Rosina ..... Anna Stéphany
Don Bartolo ..... Tiziano Bracci
Don Basilio ..... Nicolas Courjal
Fiorello ..... Christian Helmer
Berta ..... Giovanna Donadini

Ensemble Matheus, Choeur du Châtelet

Premiere of Die Liebe der Danae in Berlin

Die Liebe der Danae/The Love of Danae, Deutsche Oper Berlin, January 23 2011

Conductor ..... Andrew Litton
Director ..... Kirsten Harms
Chorus master ..... William Spaulding

Jupiter ..... Mark Delavan
Merkur ..... Thomas Blondelle
Pollux ..... Burkhard Ulrich
Danae ..... Manuela Uhl
Xanthe ..... Hulkar Sabirova
Midas ..... Matthias Klink
Four Kings ..... Paul Kaufmann, Clemens Bieber, 

" ..... Nathan De’Shon Myers, Hyung-Wook Lee
Semele ..... Hila Fahima
Europa ..... Martina Welschenbach
Alkmene ..... Julia Benzinger
Leda ..... Katarina Bradic


Chor der Deutschen Oper Berlin
Orchester der Deutschen Oper Berlin

La Monnaie Parsifal approaching fast

Very likely the most important Wagnerian event this year -- Parsifal, directed by Romeo Castellucci and conducted by Hartmut Haenchen-- should open in two days, Thursday January 27, at La Monnaie/De Munt in Brussels.

Romeo is one of the artistically most fascinating theater directors today but he is a newbie when it comes to opera producing. Maestro Haenchen, on the other hand, is one of the very best Wagnerian conductors of our time, who in this configuration is also in charge of protecting the musical awesomeness of this opera. The antagonism is then easily generated which in fact --when properly tuned-- can be a booster to all creative spirits involved in this production.

We learned from three different sources that the creative process of mounting this production was indeed difficult. So difficult that the house's intendant --and infinitely cool-- Peter de Caluwe had to step in to remedy a few delicate situations, and to re-establish a good balance between theatrical and musical sides of the production.

Ah, passionate people exercising their passion... This Parsifal looks more and more promising to me [watch the birth of this production through a series of videos on La Monnaie website .]

I'll see the second show (next Sunday), and yes  I can't wait!


Below are some rehearsal photos [© ???], in addition to a text by Romeo Castellucci, written before the rehearsal process had begun. 

Premiere of Tristan und Isolde in Weimar

Tristan und Isolde, Nationaltheater in Weimar, January 22 2011

Karsten Wiegand ..... Director
Stefan Solyom ..... Conductor

Franco Farina ..... Tristan
Marion Ammann ..... Isolde
Hidekazu Tsumaya ..... König Marke
Tuija Knihtilä ..... Brangäne
Sebastian Noack ..... Kurwenal
Alexander Günther ..... Melot
Szabolcs Brickner ..... A shepherd/A young sailor
Andreas Koch ..... A steersman

Staatskapelle Weimar, Chorus of DNT Weimar 

Elisir d'amore in Lille

L'elisir d'amore/L'Élixir d'amour/The Elixir of Love, Opéra de Lille, January 15 2011

Opéra de Lille: pretty building both inside and outside

Director ..... Richard Brunel

Conductor ..... Antonello Allemandi

Olga Peretyatko ..... Adina

Bülent Bezdüz ..... Nemorino

Guido Loconsolo ..... Belcore

Renato Girolami ..... Dulcamara

Hanna Bayodi-Hirt ..... Giannetta

Picardie Orchestra and Lille Opera Choir

Per questo mio specifico Simpatico, prolifico,  
Un uom settuagenario E valetudinario,
Nonno di dieci bamboli Ancora diventò,  
Per questo “Tocca e sana” In breve settimana  
Più d’un’afflitta vedova Di piangere cessò.
O voi matrone rigide, Ringiovanir bramate ?
Le vostre rughe incomode Con esso cancellate.  
Volete voi donzelle, Ben liscia aver la pelle ?  
Voi giovani galanti Per sempre avere amanti ?  
Comprate il mio specifico, Per poco io ve lo do.

Dulcamara, L'elisir d'amore

Tristan in Weimar

Franco Farina turned his Tristan adventure into a major success. How could you expect this to happen? He has a thing for heavy Verdian roles, but Tristan is a whole different 'beast'. And yet he managed to sing it through as if it was a piece of cake -- with incredible vocal freshness in Act-3. Definitely one of the most compelling Tristan we were able to listen to in years.
Like everyone else Farina too was struggling with "piani" in the middle of Act-2, but what he was able to pull in Act-3 was beyond astonishing!
It remains to be seen if he can sustain this level of singing for a longer period of time. In any case for his first take on Tristan he deserves a huge BRAVO!  Marion Ammann's Isolde didn't lack stamina either: very powerful performance by this mighty lady in this humanly-sized theater!

Triumphant Marion Ammann and Franco Farina

I'm unsure what to think about Karsten Wiegand's show: there were good (Act-1), bad (Act-2) moments, and a bit of both in Act-3 (I liked his loopy Faust in Berlin with Poplavskaya, Castronovo and Pape, and I loved his Stuarda - which I thought was a lesson of audacity! Tristan is maybe just too big?)

Will post more about the last night's premiere tomorrow... Now I have a train to catch.

Haitink at Pleyel

The Chamber Orchestra of Europe with Bernard Haitink, Salle Pleyel, January 19 2011

Bernard Haitink after Beethoven's Symphony No.2

Opéra Burlesque: Les Mamelles de Tirésias

Les Mamelles de Tirésias, Opéra Comique - Paris, January 9 2011

Musical direction ..... Ludovic Morlot

Stage direction ..... Macha Makeïeff

Thérèse /La Cartomancienne ..... Hélène Guilmette

Le Mari ..... Ivan Ludlow

Le Directeur de théâtre/Le Gendarme ..... Werner Van Mechelen

Presto ..... Christophe Gay

Lacouf ..... Loïc Felix

Le Journaliste parisien ..... Thomas Morris

Le Fils ..... Marc Molomot

Orchestre et Chœurs de l’Opéra de Lyon

Taste Bayreuth on La Rambla in 2012

3 operas from the Festival in Bayreuth will travel to Gran Teatre del Liceu in Barcelona to open their 2012-2013 season, namely from September 1 to 6th 2012.

Lohengrin [Sept. 1 & 4] and The Flying Dutchman [Sept. 2 & 5] will be conducted by Sebastian Weigle, while maestro Peter Schneider will be in charge of Tristan und Isolde [Sept. 6]. All opera will be given in concert (thanks to Mei for this precision).
Note that The Flying Dutchman will be premiered in Bayreuth in July 2012, in a new production directed by Sebastian Nübling.

For the Liceu subscribers the ticket sales will begin on May 30  2011, and on September 19  2011, for us - ordinary folks.

Props are due to the Liceu artistic director, Mr. Joan Matabosch.

This article also states that the trip to Barcelona will be the third time the Bayreuth Festival travels outside Germany: 1st time it was to Liceu in 1955, and 2nd to Osaka-Expo in 1970.

Giulio Cesare in Egypt

Giulio Cesare, Opéra Garnier in Paris, January 17 2011

Emmanuelle Haïm    ..... Conductor
Laurent Pelly ..... Stage director and costumes

Lawrence Zazzo ..... Giulio Cesare
Varduhi Abrahamyan ..... Cornelia
Isabel Leonard ..... Sesto
Natalie Dessay ..... Cleopatra
Christophe Dumaux ..... Tolomeo
Nathan Berg ..... Achille
Dominique Visse ..... Nireno
Aimery Lefèvre ..... Curio

Orchestre du Concert d'Astrée and Paris Opera Chorus

Best of 2010 (2): Productions

Many fantastic new productions have been unveiled to us in 2010. To choose just a few and say 'these were the best three or four' is extremely hard. Instead I tried to isolate 5 and make a more extensive list of what I believe are memorable new productions (list is appended below.)  

On the horizon of the most exciting theaters in Europe, to me Komische Oper in Berlin remains the brightest spot as far as opera is concerned. I suspect there might be some other smaller theaters doing as good as Komische (or better?), but I don't see many theaters having that combination of audacity and desire to evolve artistically and create something new, while keeping the high musical standards. You will find other places looking richer,  maybe more prestigious, with impressive historical background, with more stars, ...  but if you are interested in seeing known operas produced differently, Komische is the place to start. Theater Basel is right there too, together with La Monnaie in Brussel, and Staatsoper in Stuttgart.

Big thanks to artistic directors of these inspiring theaters [Andreas Homoki, Dietmar Schwarz, Jossi Weiler, and Peter de Caluwe, respectively] and to all the folks who actually make these theaters live and be the way they are. 

Regarding the new opera productions in Paris, I think Opéra Comique produced a few good shows in 2010, and I did quite like the first two chapters of The Ring at Opéra Bastille but we cannot say 2010 was good. Several revivals were very well mounted, but globally we can only hope 2011 will be better. 

Mahler's Rückert Lieder and Tragic Symphony

Tout Mahler par Gatti, Théâtre du Châtelet in Paris, January 13 2011

 

Conductor ..... Daniele Gatti

Soloist ..... Matthias Goerne

Orchestre National de France

Best of 2010 (1): Directors and Conductors

I saw very many wonderful shows in 2010, and to me this was one of the most exciting years ever (opera-wise, of course.)

On one hand I realize how blessed we are to have more than a few great directors (creative, competent, inventive, and audacious), superb conductors, and amazing singers/actors who throw their hearts and souls into bringing the best from most of the operas on the repertoire today. Their work sometimes brought new insight in known operas, sometimes emphasized a particular thread that escaped the attention of other performing artists before --  all  that leading to a reassuring conclusion that opera is not locked dead as art, but rather an art form that still thrives on change.

Personally I can say I was 'wise' [and lucky!] in rightly picking what to see in 2010 and so --apart from some setbacks in Paris-- I truly enjoyed most of what I could see in 2010.

Now, after having seen so many great shows it is hard to come up with a Top-10 list. To compile it, I feel, I would necessarily be unfair to some singers, directors, conductors. The other day I went through a list of all wonderful male singers whose singing I thought was excellent or tickled some fine emotion and I ended up with a list of 59 names. So I'll try and focus on those whose work in 2010 I though genuinely stood out.

This and that... Sticky and Sweet

Ariadne auf Naxos in Paris

Ariadne auf Naxos, Opéra National de Paris (Bastille), December 22 2010

Philippe Jordan ..... Conductor

Laurent Pelly ..... Staging and costumes

Franz Mazura ..... Der Haushofmeister

Martin Gantner ..... Ein Musiklehrer

Sophie Koch ..... Der Komponist

Stefan Vinke ..... Der Tenor (Bacchus)

Xavier Mas ..... Ein Tanzmeister

Vladimir Kapshuk ..... Ein Perückenmacher

Jane Archibald ..... Zerbinetta

Ricarda Merbeth ..... Primadonna (Ariadne)

Elena Tsallagova ..... Najade

Diana Axentii ..... Dryade

Yun Jung Choi ..... Echo

Edwin Crossley-Mercer ..... Harlekin

François Piolino ..... Scaramuccio

François Lis ..... Truffaldino

Michael Laurenz ..... Müller Brighella

Paris Opera Orchestra

Stefan Herheim's Rusalka in Dresden [ossia Un Colpo di Genio]

Rusalka, Semperoper Dresden, December 14 2010

Conductor ..... Tomáš Netopil
Director ..... Stefan Herheim
Sets designer ..... Heike Scheele

The Princ ..... Zoltán Nyári
The Foreign Princess ..... Marjorie Owens
Rusalka ..... Tatiana Monogarova
Vodnik ..... Georg Zeppenfeld
Ježibaba ..... Tichina Vaughn
Kitchen Boy ..... Tara Erraught
1st Wood Sprite ..... Vanessa Goikoetxea
2nd Wood Sprite ..... Young Hee Kim
3rd Wood Sprite ..... Sofi Lorentzen
Hunter ..... Gerald Hupach
Policeman ..... Friedrich Darge
Butcher ..... Torsten Schäpan
Mr.High ..... Michael Auenmüller
Mr.Low ..... Jun-Seok Bang
Pharmacist ..... Bokyoung Kim

State Opera Choir
Staatskapelle Dresden

 State Opera Choir
Staatskapelle Dresden

State Opera Choir
Staatskapelle Dresden

Wim Wenders to direct The Ring in Bayreuth 2013

After so much talk and speculation on who will direct the bicentenary Ring in Bayreuth 2013, we just learned that the famous film director --author of Wings of desire-- Wim Wenders  accepted this difficult but passionate job.

 Good luck!

I should remind you that the conductor name has been known for quite a while -- Kirill Petrenko.

What's on in Europe this month?!

Many interesting revivals this month. In particular, Dima Tcherniakov's Boris Godunov will be premiered in Copenhagen.  Katarina Dalayman and Stephen Gould will sing their first Tristan und Isolde in Dresden. Diana Damrau will be back onstage this month, in a rather interesting production of I Puritani in Geneva [c.f. this trailer]. Furthermore, Jonas Kaufmann and Sophie Koch will again sing together in Werther - this time in Vienna, and Christopher Ventris and Kwangchul Youn will do what they do the best - Parsifal in Turin.

But since I'm much more interested in creations, below you can find a list of upcoming premieres of new productions in Europe (ordered chronologically.)

Baroque folks will rush to Paris to see new Giulio Cesare - directed by Laurent Pelly, or to Berlin for a  lesser known Antigone.  Balcanto freaks will dash to Barcelona to adooore Gruberova and Devia in Anna Bolena, or to Zurich to see Cecilia Bartoli in Le comte Ory...

To me the most interesting new production will be Parsifal in Brussels, followed by Tannhäuser in Zurich and Tristan und Isolde in Weimar [The Rape of Lucretia in Oslo could be good too!], although  I believe the general operatic buzz this January will be about new Werther in Lyon, directed by Rolando Villazón.